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Today's Stichomancy for Mariah Carey

The first excerpt represents the past or something you must release, and is drawn from Apology by Plato:

to answer. And hardest of all, I do not know and cannot tell the names of my accusers; unless in the chance case of a Comic poet. All who from envy and malice have persuaded you--some of them having first convinced themselves--all this class of men are most difficult to deal with; for I cannot have them up here, and cross-examine them, and therefore I must simply fight with shadows in my own defence, and argue when there is no one who answers. I will ask you then to assume with me, as I was saying, that my opponents are of two kinds; one recent, the other ancient: and I hope that you will see the propriety of my answering the latter first, for these accusations you heard long before the others, and much oftener.

Well, then, I must make my defence, and endeavour to clear away in a short

The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Voice of the City by O. Henry:

"Don't know him," said Miss Allison; "but if he's your friend, Jimmy -- here goes!"

THE MEMENTO

Miss Lynnette D'Armande turned her back on Broadway. This was but tit for tat, be- cause Broadway had often done the same thing to Miss D'Armande. Still, the "tats" seemed to have it, for the ex-leading lady of the "Reaping the Whirlwind" company had everything to ask of Broadway, while there was no vice-versa.

So Miss Lynnette D'Armande turned the back of


The Voice of the City
The third excerpt represents the future or something you must embrace, and is drawn from Charmides by Plato:

relation, but restricted them to 'types of nature,' and having become convinced that the many cannot be parts of the one, for the idea of participation in them he substituted imitation of them. To quote Dr. Jackson's own expressions,--'whereas in the period of the Republic and the Phaedo, it was proposed to pass through ontology to the sciences, in the period of the Parmenides and the Philebus, it is proposed to pass through the sciences to ontology': or, as he repeats in nearly the same words,-- 'whereas in the Republic and in the Phaedo he had dreamt of passing through ontology to the sciences, he is now content to pass through the sciences to ontology.'

This theory is supposed to be based on Aristotle's Metaphysics, a passage