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Today's Stichomancy for Marilyn Monroe

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Lucile by Owen Meredith:

VI.

Lord Alfred, when last to the window he turn'd, Ere he lock'd up and quitted his chamber, discern'd Matilda ride by, with her cheek beaming bright In what Virgil has call'd, "Youth's purpureal light" (I like the expression, and can't find a better). He sigh'd as he look'd at her. Did he regret her? In her habit and hat, with her glad golden hair, As airy and blithe as a blithe bird in air, And her arch rosy lips, and her eager blue eyes, With her little impertinent look of surprise,

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Tarzan of the Apes by Edgar Rice Burroughs:

terrorized the town, until his evil star had led him to where the black-haired French giant lolled upon the veranda of the hotel.

Mounting the broad steps, with brandished knife, the Negro made straight for a party of four men sitting at a table sipping the inevitable absinthe.

Shouting in alarm, the four took to their heels, and then the black spied Tarzan.

With a roar he charged the ape-man, while half a hundred heads peered from sheltering windows and doorways to witness the butchering of the poor Frenchman by the giant black.

Tarzan met the rush with the fighting smile that the joy of


Tarzan of the Apes
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Tarzan and the Jewels of Opar by Edgar Rice Burroughs:

"Then come and throw yourself limply across my left shoulder," and Werper knelt to receive her.

"There," he said, as he rose to his feet. "Now, let your arms, your legs and your head hang limply. Remember that you are dead."

A moment later the man walked out into the camp, the body of the woman across his shoulder.

A thorn boma had been thrown up about the camp, to discourage the bolder of the hungry carnivora. A couple of sentries paced to and fro in the light of a fire which they kept burning brightly. The nearer of


Tarzan and the Jewels of Opar
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from New Arabian Nights by Robert Louis Stevenson:

and narrow, but it was exceedingly solitary, bordered on either hand by garden walls, overhung with foliage; and, for as far as the fugitive could see in front of him, there was neither a creature moving nor an open door. Providence, weary of persecution, was now offering him an open field for his escape.

Alas! as he came abreast of a garden door under a tuft of chestnuts, it was suddenly drawn back, and he could see inside, upon a garden path, the figure of a butcher's boy with his tray upon his arm. He had hardly recognised the fact before he was some steps beyond upon the other side. But the fellow had had time to observe him; he was evidently much surprised to see a gentleman go