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Today's Stichomancy for Marilyn Monroe

The first excerpt represents the past or something you must release, and is drawn from Mosses From An Old Manse by Nathaniel Hawthorne:

Dickon, in case I need you again."

The good woman had risen thus early (for as yet it was scarcely sunrise) in order to set about making a scarecrow, which she intended to put in the middle of her corn-patch. It was now the latter week of May, and the crows and blackbirds had already discovered the little, green, rolledup leaf of the Indian corn just peeping out of the soil. She was determined, therefore, to contrive as lifelike a scarecrow as ever was seen, and to finish it immediately, from top to toe, so that it should begin its sentinel's duty that very morning. Now Mother Rigby (as everybody must have heard) was one of the most cunning and potent


Mosses From An Old Manse
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Reef by Edith Wharton:

the kind of face which seems less the stage on which emotions move than the very stuff they work in. In moments of excitement his odd irregular features seemed to grow fluid, to unmake and remake themselves like the shadows of clouds on a stream. Darrow, through the rapid flight of the shadows, could not seize on any specific indication of feeling: he merely perceived that the young man was unaccountably surprised at finding him with Miss Viner, and that the extent of his surprise might cover all manner of implications.

Darrow's first idea was that Owen, if he suspected that the

The third excerpt represents the future or something you must embrace, and is drawn from Falk by Joseph Conrad:

Alsatian talked loudly with his other customers, go- ing from one little table to the other, and passing Falk's place of repose with his eyes fixed straight ahead. Falk sat there with an untouched glass at his elbow. He must have known by sight and name every white man in the room, but he never addressed a word to anybody. He acknowledged my presence by a drop of his eyelids, and that was all. Sprawl- ing there in the chair, he would, now and again, draw the palms of both his hands down his face, giving at the same time a slight, almost impercepti-


Falk