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Today's Stichomancy for Mark Twain

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Thuvia, Maid of Mars by Edgar Rice Burroughs:

"You have done enough already to set Ptarth and Kaol and Helium all three upon us at once should they learn your part in the theft of the Ptarth princess. That you succeeded in shifting the guilt upon the Prince of Helium was fortunate, and a masterly move of strategy; but were the girl to know the truth and ever return to her father's court, all Dusar would have to pay the penalty, and to have her here a prisoner amongst us would be an admission of guilt from the consequences of which naught could save us. It would cost me my throne, Astok, and that I have no mind to lose.


Thuvia, Maid of Mars
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Tom Sawyer Abroad by Mark Twain:

it's one clock Tuesday morning in England, it's eight o'clock the night before in New York."

Jim moved a little way along the locker, and you could see he was insulted. He kept shaking his head and muttering, and so I slid along to him and patted him on the leg, and petted him up, and got him over the worst of his feelings, and then he says:

"Mars Tom talkin' sich talk as dat! Choosday in one place en Monday in t'other, bofe in the same day! Huck, dis ain't no place to joke -- up here whah we is. Two days in one day! How you gwine to get two

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Across The Plains by Robert Louis Stevenson:

certain West Indian islet (not far from St. Kitt's, as beloved tradition hummed in my young ears) which was once ours, and is now unjustly some one else's, and for that matter (in the state of the sugar trade) is not worth anything to anybody. I do not say that these revolutions are likely; only no man can deny that they are possible; and the past, on the other baud, is, lost for ever: our old days and deeds, our old selves, too, and the very world in which these scenes were acted, all brought down to the same faint residuum as a last night's dream, to some incontinuous images, and an echo in the chambers of the brain. Not an hour, not a mood, not a glance of the eye, can we revoke; it is all gone, past conjuring.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Gods of Mars by Edgar Rice Burroughs:

it a much graver matter than I had anticipated. Not only was the forced angle at which we were compelled to maintain the bow in order to keep a horizontal course greatly impeding our speed, but at the rate that we were losing our repulsive rays from the forward tanks it was but a question of an hour or more when we would be floating stern up and helpless.

We had slightly reduced our speed with the dawning of a sense of security, but now I took the helm once more and pulled the noble little engine wide open, so that again we raced north at terrific velocity. In the meantime Carthoris and Xodar with tools in hand were puttering with the great


The Gods of Mars