Tarot Runes I Ching Stichomancy Contact
Store Numerology Coin Flip Yes or No Webmasters
Personal Celebrity Biorhythms Bibliomancy Settings

Today's Stichomancy for Mark Twain

The first excerpt represents the past or something you must release, and is drawn from Edingburgh Picturesque Notes by Robert Louis Stevenson:

class present their backs to the churchyard. Only a few inches separate the living from the dead. Here, a window is partly blocked up by the pediment of a tomb; there, where the street falls far below the level of the graves, a chimney has been trained up the back of a monument, and a red pot looks vulgarly over from behind. A damp smell of the graveyard finds its way into houses where workmen sit at meat. Domestic life on a small scale goes forward visibly at the windows. The very solitude and stillness of the enclosure, which lies apart from the town's traffic, serves to accentuate the contrast. As you walk

The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Mirror of the Sea by Joseph Conrad:

instantly mastered himself, and, wrapping up the cloak closer about him, sat down on the deck again as quiet as ever.

"Yes, it must be the work of some scoundrel ashore," I observed.

He pulled the edge of the hood well forward over his brow before he muttered:

"A scoundrel. . . . Yes. . . . It's evident."

"Well," I said, "they can't get us, that's clear."

"No," he assented quietly, "they cannot."

We shaved the Cape very close to avoid an adverse current. On the other side, by the effect of the land, the wind failed us so completely for a moment that the Tremolino's two great lofty sails

The Mirror of the Sea
The third excerpt represents the future or something you must embrace, and is drawn from The Garden Party by Katherine Mansfield:


"You're tired again," said Charlotte reproachfully, and she stopped the rocker and offered her warm plum-like cheek. Bright-haired Ethel pecked his beard, Marion's lips brushed his ear.

"Did you walk back, father?" asked Charlotte.

"Yes, I walked home," said old Mr. Neave, and he sank into one of the immense drawing-room chairs.

"But why didn't you take a cab?" said Ethel. "There are hundred of cabs about at that time."

"My dear Ethel," cried Marion, "if father prefers to tire himself out, I really don't see what business of ours it is to interfere."