The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Cratylus by Plato: becomes equivalent to ama polon, which points to both his musical and his
heavenly attributes; for there is a 'moving together' alike in music and in
the harmony of the spheres. The second lambda is inserted in order to
avoid the ill-omened sound of destruction. The Muses are so called--apo
tou mosthai. The gentle Leto or Letho is named from her willingness
(ethelemon), or because she is ready to forgive and forget (lethe).
Artemis is so called from her healthy well-balanced nature, dia to artemes,
or as aretes istor; or as a lover of virginity, aroton misesasa. One of
these explanations is probably true,--perhaps all of them. Dionysus is o
didous ton oinon, and oinos is quasi oionous because wine makes those think
(oiesthai) that they have a mind (nous) who have none. The established
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The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Moon-Face and Other Stories by Jack London: CLAVERHOUSE! I leave it to you. Repeat it to yourself--Claverhouse. Just
listen to the ridiculous sound of it--Claverhouse! Should a man live with such
a name? I ask of you. "No," you say. And "No" said I.
But I bethought me of his mortgage. What of his crops and barn destroyed, I
knew he would be unable to meet it. So I got a shrewd, close-mouthed,
tight-fisted money-lender to get the mortgage transferred to him. I did not
appear but through this agent I forced the foreclosure, and but few days (no
more, believe me, than the law allowed) were given John Claverhouse to remove
his goods and chattels from the premises. Then I strolled down to see how he
took it, for he had lived there upward of twenty years. But he met me with his
saucer-eyes twinkling, and the light glowing and spreading in his face till it
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