| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Perfect Wagnerite: A Commentary on the Niblung's Ring by George Bernard Shaw: it and raises itself threateningly. Then Brynhild comes; and a
funeral pyre is raised whilst she declaims a prolonged scene,
extremely moving and imposing, but yielding nothing to resolute
intellectual criticism except a very powerful and elevated
exploitation of theatrical pathos, psychologically identical with
the scene of Cleopatra and the dead Antony in Shakespeare's
tragedy. Finally she flings a torch into the pyre, and rides her
war-horse into the flames. The hall of the Gibichungs catches
fire, as most halls would were a cremation attempted in the
middle of the floor (I permit myself this gibe purposely to
emphasize the excessive artificiality of the scene); but the
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The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Battle of the Books by Jonathan Swift: Their masters' manners still contract,
And footmen, lords, and dukes can act.
Thus, at the court, both great and small
Behave alike, for all ape all.
CHAPTER VII - THE PUPPET SHOW.
THE life of man to represent,
And turn it all to ridicule,
Wit did a puppet-show invent,
Where the chief actor is a fool.
The gods of old were logs of wood,
And worship was to puppets paid;
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