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Today's Stichomancy for Martin Luther King Jr.

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from An Occurrence at Owl Creek Bridge by Ambrose Bierce:

commanding the bridge. Midway up the slope between the bridge and fort were the spectators -- a single company of infantry in line, at "parade rest," the butts of their rifles on the ground, the barrels inclining slightly backward against the right shoulder, the hands crossed upon the stock. A lieutenant stood at the right of the line, the point of his sword upon the ground, his left hand resting upon his right. Excepting the group of four at the center of the bridge, not a man moved. The company faced the bridge, staring stonily, motionless. The sentinels, facing the banks of the stream, might have been statues to adorn the


An Occurrence at Owl Creek Bridge
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Domestic Peace by Honore de Balzac:

These remarks are necessary to explain the incidents of the little imbroglio which is the subject of this study, and the picture, softened as it is, of the tone then dominant in Paris drawing-rooms.

"Turn your eyes a little towards the pedestal supporting that candelabrum--do you see a young lady with her hair drawn back a la Chinoise!--There, in the corner to the left; she has bluebells in the knot of chestnut curls which fall in clusters on her head. Do not you see her? She is so pale you might fancy she was ill, delicate-looking, and very small; there--now she is turning her head this way; her almond-shaped blue eyes, so delightfully soft, look as if they were made expressly for tears. Look, look! She is bending forward to see

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Works of Samuel Johnson by Samuel Johnson:

the sufferer, and which no man but those whom they immediately distress can regard with seriousness. Petty mischiefs, that have no influence on futurity, nor extend their effects to the rest of life, are always seen with a kind of malicious pleasure. A mistake or embarrassment, which for the present moment fills the face with blushes, and the mind with confusion, will have no other effect upon those who observe it, than that of convulsing them with irresistible laughter. Some circumstances of misery are so powerfully ridiculous, that neither kindness

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Adam Bede by George Eliot:

by Captain Donnithorne's wish, and I hope it's not disagreeable to anybody here."

"Nay, nay," said several voices at once, "we're glad ye're come. Who's got anything to say again' it?"

"And ye'll sing us 'Over the hills and far away,' after dinner, wonna ye?" said Mr. Chowne. "That's a song I'm uncommon fond on."

"Peeh!" said Mr. Craig; "it's not to be named by side o' the Scotch tunes. I've never cared about singing myself; I've had something better to do. A man that's got the names and the natur o' plants in's head isna likely to keep a hollow place t' hold tunes in. But a second cousin o' mine, a drovier, was a rare hand


Adam Bede