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Today's Stichomancy for Martin Luther King Jr.

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Illustrious Gaudissart by Honore de Balzac:

sort in the interests of his trade. He must probe men with a glance and guess their habits, wants, and above all their solvency. To economize time he must come to quick decisions as to his chances of success,--a practice that makes him more or less a man of judgment; on the strength of which he sets up as a judge of theatres, and discourses about those of Paris and the provinces.

He knows all the good and bad haunts in France, "de actu et visu." He can pilot you, on occasion, to vice or virtue with equal assurance. Blest with the eloquence of a hot-water spigot turned on at will, he can check or let run, without floundering, the collection of phrases which he keeps on tap, and which produce upon his victims the effect

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Mayor of Casterbridge by Thomas Hardy:

recognize her. What had brought her to this determination were chiefly two things. He had been described as a lonely widower; and he had expressed shame for a past transaction of his life. There was promise in both.

"If he says no," she enjoined, as Elizabeth-Jane stood, bonnet on, ready to depart; "if he thinks it does not become the good position he has reached to in the town, to own--to let us call on him as--his distant kinfolk, say, 'Then, sir, we would rather not intrude; we will leave Casterbridge as quietly as we have come, and go back to our own country.'...I almost feel that I would rather he did say so,

The Mayor of Casterbridge
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Chita: A Memory of Last Island by Lafcadio Hearn:

except perhaps some wandering duck hunter, had approached the sepulchre for years. High weeds and grasses wrestled together all about it, and rendered it totally invisible from the surrounding level of the marsh.

Fiddlers swarmed away as Chita advanced over the moist soil, each uplifting its single huge claw as it sidled off;--then frogs began to leap before her as she reached the thicker grass;--and long-legged brown insects sprang showering to right and left as she parted the tufts of the thickening verdure. As she went on, the bitter-weeds disappeared;--jointed grasses and sinewy dark plants of a taller growth rose above her head: she was almost

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Ball at Sceaux by Honore de Balzac:

that conjugal happiness does not rest so much on brilliant qualities and ample fortune as on reciprocal esteem. This happiness is, in its nature, modest, and devoid of show. So now, my dear, my consent is given beforehand, whoever the son-in-law may be whom you introduce to me; but if you should be unhappy, remember you will have no right to accuse your father. I shall not refuse to take proper steps and help you, only your choice must be serious and final. I will never twice compromise the respect due to my white hairs."

The affection thus expressed by her father, the solemn tones of his urgent address, deeply touched Mademoiselle de Fontaine; but she concealed her emotion, seated herself on her father's knees--for he