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Today's Stichomancy for Martin Scorsese

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Life on the Mississippi by Mark Twain:

the explosion. The barber's chair, with Captain Klinefelter in it and unhurt, was left with its back overhanging vacancy-- everything forward of it, floor and all, had disappeared; and the stupefied barber, who was also unhurt, stood with one toe projecting over space, still stirring his lather unconsciously, and saying, not a word.

When George Ealer saw the chimneys plunging aloft in front of him, he knew what the matter was; so he muffled his face in the lapels of his coat, and pressed both hands there tightly to keep this protection in its place so that no steam could get to his nose or mouth. He had ample time to attend to these details while he was going up

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Father Goriot by Honore de Balzac:

not teach me what is due to my father, I have known my father this long while. Not a word, Eugene. I will hear what you have to say when you are dressed. My carriage is waiting, take it, go round to your rooms and dress, Therese has put out everything in readiness for you. Come back as soon as you can; we will talk about my father on the way to Mme. de Beauseant's. We must go early; if we have to wait our turn in a row of carriages, we shall be lucky if we get there by eleven o'clock."

"Madame----"

"Quick! not a word!" she cried, darting into her dressing-room for a necklace.


Father Goriot
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Chronicles of the Canongate by Walter Scott:

opinions are in favour of our own times in many respects, but not in so far as affords means for exercising the imagination or exciting the interest which attaches to other times. I am glad to be a writer or a reader in 1826, but I would be most interested in reading or relating what happened from half a century to a century before. We have the best of it. Scenes in which our ancestors thought deeply, acted fiercely, and died desperately, are to us tales to divert the tedium of a winter's evening, when we are engaged to no party, or beguile a summer's morning, when it is too scorching to ride or walk.

Yet I do not mean that my essays and narratives should be limited

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from A Collection of Beatrix Potter by Beatrix Potter:

Peter said he thought he might feel better if he went for a walk.

THEY went away hand in hand, and got upon the flat top of the wall at the bottom of the wood. From here they looked down into Mr. McGregor's garden. Peter's coat and shoes were plainly to be seen upon the scarecrow,