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Today's Stichomancy for Martin Scorsese

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from In a German Pension by Katherine Mansfield:

antimacassar thrown across her breast. The gentlemen wore black coats, white silk ties and ferny buttonholes tickling the chin.

The floor of the salon was freshly polished, chairs and benches arranged, and a row of little flags strung across the ceiling--they flew and jigged in the draught with all the enthusiasm of family washing. It was arranged that I should sit beside Frau Godowska, and that the Herr Professor and Sonia should join us when their share of the concert was over.

"That will make you feel quite one of the performers," said the Herr Professor genially. "It is a great pity that the English nation is so unmusical. Never mind! To-night you shall hear something--we have discovered a nest of talent during the rehearsals."

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Hated Son by Honore de Balzac:

liked to stroke the velvet of his mantle, to touch the lace of his broad collar. As for Etienne he was transformed under the creative glance of those earnest eyes; they infused into his being a fruitful sap, which sparkled in his eyes, shone on his brow, remade him inwardly, so that he did not suffer from this new play of his faculties; on the contrary they were strengthened by it. Happiness is the mother's milk of a new life.

As nothing came to distract them from each other, they stayed together not only this day but all days; for they belonged to one another from the first hour, passing the sceptre from one to the other and playing with themselves as children play with life. Sitting, happy and

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Alcibiades I by Plato:

spurious character. For who always does justice to himself, or who writes with equal care at all times? Certainly not Plato, who exhibits the greatest differences in dramatic power, in the formation of sentences, and in the use of words, if his earlier writings are compared with his later ones, say the Protagoras or Phaedrus with the Laws. Or who can be expected to think in the same manner during a period of authorship extending over above fifty years, in an age of great intellectual activity, as well as of political and literary transition? Certainly not Plato, whose earlier writings are separated from his later ones by as wide an interval of philosophical speculation as that which separates his later writings from Aristotle.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Lady Susan by Jane Austen:

or two I remained in the same spot, overpowered by wonder of a most agreeable sort indeed; yet it required some consideration to be tranquilly happy. In about ten minutes after my return to the parlour Lady Susan entered the room. I concluded, of course, that she and Reginald had been quarrelling; and looked with anxious curiosity for a confirmation of my belief in her face. Mistress of deceit, however, she appeared perfectly unconcerned, and after chatting on indifferent subjects for a short time, said to me, "I find from Wilson that we are going to lose Mr. De Courcy--is it true that he leaves Churchhill this morning?" I replied that it was. "He told us nothing of all this last night," said she, laughing, "or even this morning at breakfast; but perhaps he did not know it himself. Young men are


Lady Susan