Tarot Runes I Ching Stichomancy Contact
Store Numerology Coin Flip Yes or No Webmasters
Personal Celebrity Biorhythms Bibliomancy Settings

Today's Stichomancy for Matt Damon

The first excerpt represents the past or something you must release, and is drawn from Reason Discourse by Rene Descartes:

written by a physician 1 of England, who has the honor of having broken the ice on this subject, and of having been the first to teach that there are many small passages at the extremities of the arteries, through which the blood received by them from the heart passes into the small branches of the veins, whence it again returns to the heart; so that its course amounts precisely to a perpetual circulation. Of this we have abundant proof in the ordinary experience of surgeons, who, by binding the arm with a tie of moderate straitness above the part where they open the vein, cause the blood to flow more copiously than it would have done without any ligature; whereas quite the contrary would happen were they to bind it below; that is, between the hand and the opening, or were to make the


Reason Discourse
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Rig Veda:

the wise King doth not treat his friend unkindly. Like a son following his father's wishes, grant to this family success and safety.

31 Now are thy streams poured forth with all their sweetness, when, purified. thou goest through the filter. The race of kine is thy gift, Pavarridna: when born thou madest Surya rich with brightness.


The Rig Veda
The third excerpt represents the future or something you must embrace, and is drawn from Weir of Hermiston by Robert Louis Stevenson:

clan spirit survives; where the servant tends to spend her life in the same service, a helpmeet at first, then a tyrant, and at last a pensioner; where, besides, she is not necessarily destitute of the pride of birth, but is, perhaps, like Kirstie, a connection of her master's, and at least knows the legend of her own family, and may count kinship with some illustrious dead. For that is the mark of the Scot of all classes: that he stands in an attitude towards the past unthinkable to Englishmen, and remembers and cherishes the memory of his forebears, good or bad; and there burns alive in him a sense of identity with the dead even to the twentieth generation. No more characteristic instance could be found than in the family of Kirstie Elliott. They were all,