The first excerpt represents the past or something you must release, and is drawn from Disputation of the Power and Efficacy of Indulgences by Dr. Martin Luther: alone.
29. Who knows whether all the souls in purgatory wish to be
bought out of it, as in the legend of Sts. Severinus and
Paschal.
30. No one is sure that his own contrition is sincere; much
less that he has attained full remission.
31. Rare as is the man that is truly penitent, so rare is also
the man who truly buys indulgences, i.e., such men are most
rare.
32. They will be condemned eternally, together with their
teachers, who believe themselves sure of their salvation
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Country of the Pointed Firs by Sarah Orne Jewett: "I was talking o' poor Joanna the other day. I hadn't thought
of her for a great while," said Mrs. Fosdick abruptly. "Mis'
Brayton an' I recalled her as we sat together sewing. She was one
o' your peculiar persons, wa'n't she? Speaking of such persons,"
she turned to explain to me, "there was a sort of a nun or hermit
person lived out there for years all alone on Shell-heap Island.
Miss Joanna Todd, her name was,--a cousin o' Almiry's late
husband."
I expressed my interest, but as I glanced at Mrs. Todd I saw
that she was confused by sudden affectionate feeling and
unmistakable desire for reticence.
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The third excerpt represents the future or something you must embrace, and is drawn from One Basket by Edna Ferber: grape leaves to make him good eatin' as a relish."
And she thought of Chuck Mory, perched on the high seat of the
American Express truck, hatless, sunburned, stockily muscular,
clattering down Winnebago Street on his way to the depot and the
7:50 train.
Something about the clear simplicity and uprightness of the firm
little figure appealed to Nap Ballou. He used to regard her
curiously with a long, hard gaze before which she would grow
uncomfortable. "Think you'll know me next time you see me?"
But there was an uneasy feeling beneath her flip exterior. Not
that there was anything of the beautiful, persecuted factory girl
 One Basket |