Today's Stichomancy for Matt Damon

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from A Straight Deal by Owen Wister:

and when he was down they beat him some more. That's Germans for you. Only they've been getting worse while the rest of the world's been getting better. Get your facts straight, man."

A number of us were now listening to this, and I envied the historian his ingenious promptness--I have none--and I hoped for more of this timely debate. But debate was over. The anti-Englishman faded to silence. Either he was out of facts to get straight, or lacked what is so pithily termed "come-back." The latter, I incline to think; for come-back needs no facts, it is a self-feeder, and its entire absence in the anti-Englishman looks as if he had been a German. Germans do not come back when it goes against them, they bleat "Kamerad!"--or disappear. Perhaps this man was a

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Ursula by Honore de Balzac:

letting fall the tears that gathered in her eyes.

The old man looked round the simple but dainty little room he had given to his Ursula. On the floor was a plain green carpet, very inexpensive, which she herself kept exquisitely clean; the walls were hung with a gray paper strewn with roses and green leaves; at the windows, which looked to the court, were calico curtains edged with a band of some pink material; between the windows and beneath a tall mirror was a pier-table topped with marble, on which stood a Sevres vase in which she put her nosegays; opposite the chimney was a little bureau-desk of charming marquetry. The bed, of chintz, with chintz curtains lined with pink, was one of those duchess beds so common in

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Roads of Destiny by O. Henry:

in the chase. Finally they scattered in a thick banana grove, and we couldn't flush a single one. So we sat down and rested.

"If I were to be put, severe, through the third degree, I wouldn't be able to tell much about the rest of the day. I mind that we pervaded the town considerable, calling upon the people to bring out more armies for us to destroy. I remember seeing a crowd somewhere, and a tall man that wasn't Billfinger making a Fourth of July speech from a balcony. And that was about all.

"Somebody must have hauled the old ice factory up to where I was, and put it around me, for there's where I was when I woke up the next morning. As soon as I could recollect by name and address I got up and

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Perfect Wagnerite: A Commentary on the Niblung's Ring by George Bernard Shaw:

no means reciprocated by Siegfried. His majesty and elderly dignity are thrown away on the young anarchist, who, unwilling to waste time talking, bluntly bids him either show him the way to the mountain, or else "shut his muzzle." Wotan is a little hurt. "Patience, my lad," he says: "if you were an old man I should treat you with respect." "That would be a precious notion," says Siegfried. "All my life long I was bothered and hampered by an old man until I swept him out of my way. I will sweep you in the same fashion if you don't let me pass. Why do you wear such a big hat; and what has happened to one of your eyes? Was it knocked out by somebody whose way you obstructed?" To which Wotan replies