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Today's Stichomancy for Matt Damon

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Wheels of Chance by H. G. Wells:

add, "In Papers, you know, and all that."

"I see," said Jessie, looking at him thoughtfully. Artists were a very heterogeneous class certainly, and geniuses had a trick of being a little odd. He avoided her eye and bit his grass. "I don't do MUCH, you know."

"It's not your profession?

"Oh, no," said Hoopdriver, anxious now to hedge. "I don't make a regular thing of it, you know. jest now and then something comes into my head and down it goes. No--I'm not a regular artist."

"Then you don't practise any regular profession? Mr. Hoopdriver looked into her eyes and saw their quiet unsuspicious regard. He

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Weir of Hermiston by Robert Louis Stevenson:

flattering, hopes that she would have died sooner than have acknowledged. She tore off her nightcap, and her hair fell about her shoulders in profusion. Undying coquetry awoke. By the faint light of her nocturnal rush, she stood before the looking-glass, carried her shapely arms above her head, and gathered up the treasures of her tresses. She was never backward to admire herself; that kind of modesty was a stranger to her nature; and she paused, struck with a pleased wonder at the sight. "Ye daft auld wife!" she said, answering a thought that was not; and she blushed with the innocent consciousness of a child. Hastily she did up the massive and shining coils, hastily donned a wrapper, and with the rushlight in her hand, stole into the hall.

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Sarrasine by Honore de Balzac:

quickened their pace in order to reach the shelter of the wall enclosing the cardinal's villa. At that critical moment Sarrasine saw from La Zambinella's manner that she no longer had strength to walk; he took her in his arms and carried her for some distance, running. When he was within call of a vineyard near by, he set his mistress down.

" 'Tell me,' he said, 'why it is that this extreme weakness which in another woman would be hideous, would disgust me, so that the slightest indication of it would be enough to destroy my love,--why is it that in you it pleases me, fascinates me? Oh, how I love you!' he continued. 'All your faults, your frights, your petty foibles, add an

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Anthem by Ayn Rand:

I am not a sacrifice on their altars.

I am a man. This miracle of me is mine to own and keep, and mine to guard, and mine to use, and mine to kneel before!

I do not surrender my treasures, nor do I share them. The fortune of my spirit is not to be blown into coins of brass and flung to the winds as alms for the poor of the spirit. I guard my treasures: my thought, my will, my freedom. And the greatest of these is freedom.


Anthem