| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Pierre Grassou by Honore de Balzac: illuminated by lamps, the reflections of which were managed with the
utmost care. Three neighbours, also retired merchants, an old uncle
(from whom were expectations), an elderly Demoiselle Vervelle, and a
number of other guests invited to be present at this ovation to a
great artist followed Grassou into the picture gallery, all curious to
hear his opinion of the famous collection of pere Vervelle, who was
fond of oppressing them with the fabulous value of his paintings. The
bottle-merchant seemed to have the idea of competing with King Louis-
Philippe and the galleries of Versailles.
The pictures, magnificently framed, each bore labels on which was read
in black letters on a gold ground:
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The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Art of War by Sun Tzu: 32. To refrain from intercepting an enemy whose banners are
in perfect order, to refrain from attacking an army drawn up in
calm and confident array:--this is the art of studying
circumstances.
33. It is a military axiom not to advance uphill against
the enemy, nor to oppose him when he comes downhill.
34. Do not pursue an enemy who simulates flight; do not
attack soldiers whose temper is keen.
35. Do not swallow bait offered by the enemy.
[Li Ch`uan and Tu Mu, with extraordinary inability to see a
metaphor, take these words quite literally of food and drink that
The Art of War |
| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Iliad by Homer: the awful goddess and the hero; Pallas Minerva took the whip and
reins, and drove straight at Mars. He was in the act of stripping
huge Periphas, son of Ochesius and bravest of the Aetolians.
Bloody Mars was stripping him of his armour, and Minerva donned
the helmet of Hades, that he might not see her; when, therefore,
he saw Diomed, he made straight for him and let Periphas lie
where he had fallen. As soon as they were at close quarters he
let fly with his bronze spear over the reins and yoke, thinking
to take Diomed's life, but Minerva caught the spear in her hand
and made it fly harmlessly over the chariot. Diomed then threw,
and Pallas Minerva drove the spear into the pit of Mars's stomach
The Iliad |
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Adventure by Jack London: more like an apparition. Three naked blacks dipped with noiseless
paddles. Long-hafted, slender, bone-barbed throwing-spears lay
along the gunwale of the canoe, while a quiverful of arrows hung on
each man's back. The eyes of the man-hunters missed nothing. They
had seen Sheldon and Joan first, but they gave no sign. Where
Gogoomy and his followers had emerged from the river, the canoe
abruptly stopped, then turned and disappeared into the deeper
mangrove gloom. A second and a third canoe came around the bend
from below, glided ghostlike to the crossing of the runaways, and
vanished in the mangroves.
"I hope there won't be any more killing," Joan said, as they turned
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