Tarot Runes I Ching Stichomancy Contact
Store Numerology Coin Flip Yes or No Webmasters
Personal Celebrity Biorhythms Bibliomancy Settings

Today's Stichomancy for Mel Brooks

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Alkahest by Honore de Balzac:

higher ambitions in love than men, they desire to wed not only the heart of a husband, but his mind.

To Madame Claes the sense of knowing nothing of a science which absorbed her husband filled her with a vexation as keen as the beauty of a rival might have caused. The struggle of woman against woman gives to her who loves the most the advantage of loving best; but a mortification like this only proved Madame Claes's powerlessness and humiliated the feelings by which she lived. She was ignorant; and she had reached a point where her ignorance parted her from her husband. Worse than all, last and keenest torture, he was risking his life, he was often in danger--near her, yet far away, and she might not share,

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Mistress Wilding by Rafael Sabatini:

hither to-night, never pausing to weigh your own deadly danger. Oh, I am punished for having listened to every voice but the voice of my own heart where you were concerned. Had I loved you earlier - had I owned it earlier..."

"It had still been too late," he said, more to comfort her than because he knew it to be so. "Be brave for my sake, Ruth. You can be brave, I know - so well. Listen, sweet. Your words have made me happy. Mar not this happiness of mine by sending me out in grief at your grief."

Her response to his prayer was brave, indeed. Through her tears came a faint smile to overspread her face so white and pitiful.

"We shall meet soon again," she said.

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Herland by Charlotte Gilman:

of married lovers, and the result in higher stimulus to all creative work.

"Do you mean," she asked quite calmly, as if I was not holding her cool firm hands in my hot and rather quivering ones, "that with you, when people marry, they go right on doing this in season and out of season, with no thought of children at all?"

"They do," I said, with some bitterness. "They are not mere parents. They are men and women, and they love each other."

"How long?" asked Ellador, rather unexpectedly.

"How long?" I repeated, a little dashed. "Why as long as they live."

"There is something very beautiful in the idea," she admitted, still as if she were discussing life on Mars. "This climactic


Herland
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The First Men In The Moon by H. G. Wells:

that I was afraid then or repelled by their proximity. I think that our incurable anthropomorphism made us imagine there were human heads inside their masks. The skin, like everything else, looked bluish, but that was on account of the light; and it was hard and shiny, quite in the beetle-wing fashion, not soft, or moist, or hairy, as a vertebrated animal's would be. Along the crest of the head was a low ridge of whitish spines running from back to front, and a much larger ridge curved on either side over the eyes. The Selenite who untied me used his mouth to help his hands.

"They seem to be releasing us," said Cavor. "Remember we are on the moon! Make no sudden movements!"


The First Men In The Moon