Today's Stichomancy for Mel Brooks

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Country of the Pointed Firs by Sarah Orne Jewett:

She might have made it easier for him; after all, he was the minister and had taken some trouble to come out, though 'twas kind of cold an' unfeelin' the way he inquired. I thought he might have seen the little old Bible a-layin' on the shelf close by him, an' I wished he knew enough to just lay his hand on it an' read somethin' kind an' fatherly 'stead of accusin' her, an' then given poor Joanna his blessin' with the hope she might be led to comfort. He did offer prayer, but 'twas all about hearin' the voice o' God out o' the whirlwind; and I thought while he was goin' on that anybody that had spent the long cold winter all alone out on Shell- heap Island knew a good deal more about those things than he did.

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Autocrat of the Breakfast-Table by Oliver Wendell Holmes:

parent, child, brother, sister, intimate. Be very careful to whom you give a side-door key; too many have them already.

- You remember the old story of the tender-hearted man, who placed a frozen viper in his bosom, and was stung by it when it became thawed? If we take a cold-blooded creature into our bosom, better that it should sting us and we should die than that its chill should slowly steal into our hearts; warm it we never can! I have seen faces of women that were fair to look upon, yet one could see that the icicles were forming round these women's hearts. I knew what freezing image lay on the white breasts beneath the laces!

A very simple INTELLECTUAL mechanism answers the necessities of

The Autocrat of the Breakfast-Table

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from To-morrow by Joseph Conrad:

would have gone out of his mind."

"His mind!" he muttered, and heard a short nervous laugh from her.

"Where was the harm? Was I to quarrel with the poor old man? It was easier to half believe it myself."

"Aye, aye," he meditated, intelligently. "I suppose the old chap got around you somehow with his soft talk. You are good-hearted."

Her hands moved up in the dark nervously. "And it might have been true. It was true. It

To-morrow

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Burning Daylight by Jack London:

arrived on the night of the second day. They had just gone to bed when they heard him coming.

"What in hell's the matter now?" Henry Finn demanded, as the empty sled came into the circle of firelight and as he noted that Elijah's long, serious face was longer and even more serious.

Joe Hines threw wood on the fire, and the three men, wrapped in their robes, huddled up close to the warmth. Elijah's whiskered face was matted with ice, as were his eyebrows, so that, what of his fur garb, he looked like a New England caricature of Father Christmas.

"You recollect that big spruce that held up the corner of the