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Today's Stichomancy for Mel Gibson

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from To-morrow by Joseph Conrad:

faintly.

This madness that had entered her life through the kind impulses of her heart had reasonable de- tails. What if some day his son returned? But she could not even be quite sure that he ever had a son; and if he existed anywhere he had been too long away. When Captain Hagberd got excited in his talk she would steady him by a pretence of belief, laughing a little to salve her conscience.

Only once she had tried pityingly to throw some doubt on that hope doomed to disappointment, but


To-morrow
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Dawn O'Hara, The Girl Who Laughed by Edna Ferber:

of you. Why I love the very cleanliness of your ruddy skin, and the way your hair grows away from your forehead, and your walk, and your voice and--Oh, what is the use of it all?"

"Just this, Dawn. The light of day sweetens all things. We have dragged this thing out into the sunlight, where, if it grows, it will grow sanely and healthily. It was but an ugly, distorted, unsightly thing, sending out pale unhealthy shoots in the dark, unwholesome cellars of our inner consciences. Norah's knowing was the cleanest, sweetest thing about

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from A Connecticut Yankee in King Arthur's Court by Mark Twain:

compliment was enough. She clouded up like storm; she called for her guards, and said:

"Hale me these varlets to the dungeons."

That struck cold on my ears, for her dungeons had a reputation. Nothing occurred to me to say -- or do. But not so with Sandy. As the guard laid a hand upon me, she piped up with the tranquilest con- fidence, and said:

"God's wounds, dost thou covet destruction, thou maniac? It is The Boss!"

Now what a happy idea that was! -- and so simple;


A Connecticut Yankee in King Arthur's Court
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Massimilla Doni by Honore de Balzac:

Duchess tried to chase away the clouds that darkened her brow, and replied, with eager haste, to open a conversation in which she might vent her irritation:--

"This is not so much an opera, monsieur," said she, "as an oratorio--a work which is in fact not unlike a most magnificent edifice, and I shall with pleasure be your guide. Believe me, it will not be too much to give all your mind to our great Rossini, for you need to be at once a poet and a musician to appreciate the whole bearing of such a work.

"You belong to a race whose language and genius are too practical for it to enter into music without an effort; but France is too intellectual not to learn to love it and cultivate it, and to succeed