Today's Stichomancy for Mel Gibson

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Walden by Henry David Thoreau:

pure and bright a light as would have waked the dead, if they had been slumbering in their graves, as some suppose. There needs no stronger proof of immortality. All things must live in such a light. O Death, where was thy sting? O Grave, where was thy victory, then? Our village life would stagnate if it were not for the unexplored forests and meadows which surround it. We need the tonic of wildness -- to wade sometimes in marshes where the bittern and the meadow-hen lurk, and hear the booming of the snipe; to smell the whispering sedge where only some wilder and more solitary fowl builds her nest, and the mink crawls with its belly close to the

Walden

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from A Prince of Bohemia by Honore de Balzac:

and all--was torn to shreds, and replaced by a sensible quilt, a quilt that was a quilt, and not a symptom of the peculiar form of insanity which drives these women to make up by an insensate luxury for the childish days when they lived on raw apples, to quote the expression of a journalist. The day when the bed-spread was torn to tatters marked a new epoch in her married life.

"Cursy was remarkable for his ferocious industry. Nobody suspects the source to which Paris owes the patch-and-powder eighteenth century vaudevilles that flooded the stage. Those thousand-and-one vaudevilles, which raised such an outcry among the /feuilletonistes/, were written at Mme. du Bruel's express desire. She insisted that her

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Burning Daylight by Jack London:

good-by, an eternal good-by, and he had never guessed. At that very moment, and for all the moments of the evening, coolly and deliberately, as he well knew her way, she had been resolved to die. If he had only known it! Untouched by the contagious malady himself, nevertheless he would have married her if he had had the slightest inkling of what she contemplated. And yet he knew, furthermore, that hers was a certain stiff-kneed pride that would not have permitted her to accept marriage as an act of philanthropy. There had really been no saving her, after all. The love-disease had fastened upon her, and she had been doomed from the first to perish of it.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Tom Sawyer, Detective by Mark Twain:

"What do you reckon he's a-playing?"

"I hain't any notion--I never thought of it."

I says to myself, here's another one that runs to pie.

"Anything peculiar about him?--the way he acts or talks?"

"No--nothing, except he seems so scary, and keeps his doors locked night and day both, and when you knock he won't let you in till he opens the door a crack and sees who it is."

"By jimminy, it's int'resting! I'd like to get a look at him. Say--the next time you're going in there, don't you reckon you could spread the door and--"