| The first excerpt represents the past or something you must release, and is drawn from Twilight Land by Howard Pyle: the midst of all the five-and-seventy there rode a youth in cloth
of silver embroidered in pearls. In his hand he bore something
wrapped in a white napkin, and that was the present for the king
such as no other king could give. So said the Demon: "Take it to
the royal palace, and tell his majesty that it is from the Tailor
of Tailors, the Master of Masters, and One Greater than a King."
"To hear is to obey," said the young man, and then they all rode
away.
When they came to the palace the gates flew open before them, and
the king came out to meet them. The young man who bore the
present dismounted and prostrated himself in the dust, and, when
|
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Complete Poems of Longfellow by Henry Wadsworth Longfellow: Slowly as out of the heavens, with apocalyptical splendors,
Sank the City of God, in the vision of John the Apostle,
So, with its cloudy walls of chrysolite, jasper, and sapphire,
Sank the broad red sun, and over its turrets uplifted
Glimmered the golden reed of the angel who measured the city.
"Welcome, O wind of the East!" he exclaimed in his wild
exultation,
"Welcome, O wind of the East, from the caves of the misty
Atlantic!
Blowing o'er fields of dulse, and measureless meadows of
sea-grass,
|
The third excerpt represents the future or something you must embrace, and is drawn from The Coxon Fund by Henry James: was as willing to take the humorous view of it as I could be: the
only difference was that for her the humorous view of a thing
wasn't necessarily prohibitive, wasn't paralysing.
Moreover she professed that she couldn't discuss with me the
primary question--the moral obligation: that was in her own
breast. There were things she couldn't go into--injunctions,
impressions she had received. They were a part of the closest
intimacy of her intercourse with her aunt, they were absolutely
clear to her; and on questions of delicacy, the interpretation of a
fidelity, of a promise, one had always in the last resort to make
up one's mind for one's self. It was the idea of the application
|