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Today's Stichomancy for Michael Jackson

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Mrs. Warren's Profession by George Bernard Shaw:

from experience, that women as unscrupulous as Mrs Warren have distinguished themselves as administrators and rulers, both commercially and politically. But both observation and knowledge are left behind when journalists go to the theatre. Once in their stalls, they assume that it is "natural" for clergymen to be saintly, for soldiers to be heroic, for lawyers to be hard- hearted, for sailors to be simple and generous, for doctors to perform miracles with little bottles, and for Mrs Warren to be a beast and a demon. All this is not only not natural, but not dramatic. A man's profession only enters into the drama of his life when it comes into conflict with his nature. The result of

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from On the Origin of Species by Charles Darwin:

amongst animals or plants, which have not been ranked by some competent judges as mere varieties, and by other competent judges as the descendants of aboriginally distinct species. If any marked distinction existed between domestic races and species, this source of doubt could not so perpetually recur. It has often been stated that domestic races do not differ from each other in characters of generic value. I think it could be shown that this statement is hardly correct; but naturalists differ most widely in determining what characters are of generic value; all such valuations being at present empirical. Moreover, on the view of the origin of genera which I shall presently give, we have no right to expect often to meet with generic differences in our domesticated productions.


On the Origin of Species
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Out of Time's Abyss by Edgar Rice Burroughs:

Wieroo, Bradley turned to seek another means of concealing the evidence of his crime. There was a space between the chests and the wall, and into this he forced the corpse, piling the discarded robes upon it until it was entirely hidden from sight; but now how was he to make good his escape in the bright glare of that early Spring day?

He walked to the door at the far end of the apartment and cautiously opened it an inch. Before him and about two feet away was the blank wall of another building. Bradley opened the door a little farther and looked in both directions. There was no one in sight to the left over a considerable expanse of roof-top, and


Out of Time's Abyss
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Agesilaus by Xenophon:

contrast lay a double satisfaction. Here was he roaming earth freely in the midst of a world of delight,[6] and there lay the Persian, under his eyes, who to escape a life of pain must drag together from the uttermost parts of earth the separate ingredients for his pleasure. It was another source of joy that to himself it was given to confront the appointed order of the universe[7] without pain; while through weakness of soul his rival, it was plain to see, was driven to flee away from heat and cold, and to shape his life, not by the pattern of brave men, but of some mean and defenceless animal.[8]

[5] See Herod. i. 135, for the luxury of the Persians and for the refinements of civilisation. See "Mem." II. i. 10; "Cyrop." VIII.