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Today's Stichomancy for Michael Jordan

The first excerpt represents the past or something you must release, and is drawn from Emma McChesney & Co. by Edna Ferber:

becoming costume until her glance rested on her own shoulder and paused. Then she looked up at Mrs. Orton-Wells. The eyes of Mrs. Orton-Wells, Miss Susan H. Croft, and Miss Gladys Orton-Wells had, by some strange power of magnetism, followed the path of Emma's eyes. They finished just one second behind her, so that when she raised her eyes it was to encounter theirs.

"I have explained," retorted Mrs. Orton- Wells, tartly, in reply to nothing, seemingly, "that our problem is with the factory girl. She represents a distinct and separate class."

Emma McChesney Buck nodded:

"I understand. Our girls are very young-- eighteen, twenty,


Emma McChesney & Co.
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Catherine de Medici by Honore de Balzac:

The two Lorrain princes attributed the queen-mother's absence to some trick of their niece. Incited presently by a significant glance, the audacious cardinal said to his Majesty:--

"Is it the king's good pleasure to begin the council without waiting for Madame la reine-mere?"

Francois II., without daring to answer directly, said: "Messieurs, be seated."

The cardinal then explained succinctly the dangers of the situation. This great political character, who showed extraordinary ability under these pressing circumstances, led up to the question of the lieutenancy of the kingdom in the midst of the deepest silence. The

The third excerpt represents the future or something you must embrace, and is drawn from Several Works by Edgar Allan Poe:

with which I perceive you are afflicted. The vaults are insufferably damp. They are encrusted with nitre."

"Let us go, nevertheless. The cold is merely nothing. Amontillado! You have been imposed upon. And as for Luchesi, he cannot distinguish Sherry from Amontillado."

Thus speaking, Fortunato possessed himself of my arm. Putting on a mask of black silk, and drawing a roquelaire closely about my person, I suffered him to hurry me to my palazzo.

There were no attendants at home; they had absconded to make merry in honour of the time. I had told them that I should not return until the morning, and had given them explicit orders not to