| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Secrets of the Princesse de Cadignan by Honore de Balzac: recalled the presence of the woman of the world. D'Arthez was
dumbfounded. In his eyes convicts sent to the galleys for murder, or
aggravated robbery, or for putting a wrong name to checks, were saints
compared to the men and women of society. This atrocious elegy, forged
in the arsenal of lies, and steeped in the waters of the Parisian
Styx, had been poured into his ears with the inimitable accent of
truth. The grave author contemplated for a moment that adorable woman
lying back in her easy-chair, her two hands pendant from its arms like
dewdrops from a rose-leaf, overcome by her own revelation, living over
again the sorrows of her life as she told them--in short an angel of
melancholy.
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The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Catherine de Medici by Honore de Balzac: historians call her rights as a wife. The ten children of the marriage
explain Henri's conduct; and his wife's maternal occupations left him
free to pass his time with Diane de Poitiers. But the king was never
lacking in anything that was due to himself; and he gave Catherine an
"entry" into Paris, to be crowned as queen, which was worthy of all
such pageants that had ever taken place. The archives of the
Parliament, and those of the Cour des Comptes, show that those two
great bodies went to meet her outside of Paris as far as Saint Lazare.
Here is an extract from du Tillet's account of it:--
"A platform had been erected at Saint-Lazare, on which was a
throne (du Tillet calls it a /chair de parement/). Catherine took
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| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Parmenides by Plato: What may that be? he said.
I want you to tell me the name of your half brother, which I have
forgotten; he was a mere child when I last came hither from Clazomenae, but
that was a long time ago; his father's name, if I remember rightly, was
Pyrilampes?
Yes, he said, and the name of our brother, Antiphon; but why do you ask?
Let me introduce some countrymen of mine, I said; they are lovers of
philosophy, and have heard that Antiphon was intimate with a certain
Pythodorus, a friend of Zeno, and remembers a conversation which took place
between Socrates, Zeno, and Parmenides many years ago, Pythodorus having
often recited it to him.
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The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Research Magnificent by H. G. Wells: comfortable dark broad-browed woman, directed things, and sat at the
end of the table and placed Benham on her right hand between herself
and Amanda. Amanda's mother remained undeveloped, a watchful little
woman with at least an eyebrow like her daughter's. Her name, it
seemed, was Morris. No servant appeared, but two cousins of a vague
dark picturesqueness and with a stamp of thirty upon them, the first
young women Benham had ever seen dressed in djibbahs, sat at the
table or moved about and attended to the simple needs of the
service. The reconciled dogs were in the room and shifted inquiring
noses from one human being to another.
Amanda's people were so easy and intelligent and friendly, and
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