The first excerpt represents the past or something you must release, and is drawn from Another Study of Woman by Honore de Balzac: suffering. Till the moment when I received your second note I could
think only of how I could contrive to see you.'--'And you were
alone?'--'Alone,' said she, looking at me with a face of innocence so
perfect that it must have been his distrust of such a look as that
which made the Moor kill Desdemona. As she lived alone in the house,
the word was a fearful lie. One single lie destroys the absolute
confidence which to some souls is the very foundation of happiness.
"To explain to you what passed in me at that moment it must be assumed
that we have an internal self of which the exterior /I/ is but the
husk; that this self, as brilliant as light, is as fragile as a shade
--well, that beautiful self was in me thenceforth for ever shrouded in
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from Enoch Arden, &c. by Alfred Tennyson: And pace the sacred old familiar fields,
Not yet had perish'd, when his lonely doom
Came suddenly to an end. Another ship
(She wanted water) blown by baffling winds,
Like the Good Fortune, from her destined course,
Stay'd by this isle, not knowing where she lay:
For since the mate had seen at early dawn
Across a break on the mist-wreathen isle
The silent water slipping from the hills,
They sent a crew that landing burst away
In search of stream or fount, and fill'd the shores
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The third excerpt represents the future or something you must embrace, and is drawn from The Patchwork Girl of Oz by L. Frank Baum: face and hands and brushed his hair. Then he
went to the table and said:
"I wonder if this is my breakfast?"
"Eat it!" commanded a Voice at his side, so
near that Ojo jumped; But no person could he
see.
He was hungry, and the breakfast looked
good; so he sat down and ate all he wanted.
Then, rising, he took his hat and wakened the
Glass Cat.
"Come on, Bungle," said he; "we must go.
 The Patchwork Girl of Oz |