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Today's Stichomancy for Michael York

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Lesson of the Master by Henry James:

visitor's: "That's all very well; and if your idea's to do nothing better there's no reason you shouldn't have as many good things as I - as many human and material appendages, as many sons or daughters, a wife with as many gowns, a house with as many servants, a stable with as many horses, a heart with as many aches." The Master got up when he had spoken thus - he stood a moment - near the sofa looking down on his agitated pupil. "Are you possessed of any property?" it occurred to him to ask.

"None to speak of."

"Oh well then there's no reason why you shouldn't make a goodish income - if you set about it the right way. Study ME for that -

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Voyage of the Beagle by Charles Darwin:

deposition of the white beds, and long subsequently to the underlying beds with the tertiary shells.

Everything in this southern continent has been effected on a grand scale: the land, from the Rio Plata to Tierra del Fuego, a distance of 1200 miles, has been raised in mass (and in Patagonia to a height of between 300 and 400 feet), within the period of the now existing sea-shells. The old and weathered shells left on the surface of the upraised plain still partially retain their colours. The uprising movement has been interrupted by at least eight long periods of rest, during which the sea ate, deeply back into the land, forming at


The Voyage of the Beagle
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Virginibus Puerisque by Robert Louis Stevenson:

escort than an easy conscience. I think I see him getting his cloak about his shoulders, and, with perhaps a lantern in one hand, steering his way along the streets in the mirk January night. It might have been that very day that Skirving had defied him in these words: "It is altogether unavailing for your lordship to menace me; for I have long learned to fear not the face of man;" and I can fancy, as Braxfield reflected on the number of what he called GRUMBLETONIANS in Edinburgh, and of how many of them must bear special malice against so upright and inflexible a judge, nay, and might at that very moment be lurking in the mouth of a dark close with hostile

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Essays of Travel by Robert Louis Stevenson:

these sources of quiet pleasure, the character and variety of the road itself, along which he takes his way. Not only near at hand, in the lithe contortions with which it adapts itself to the interchanges of level and slope, but far away also, when he sees a few hundred feet of it upheaved against a hill and shining in the afternoon sun, he will find it an object so changeful and enlivening that he can always pleasurably busy his mind about it. He may leave the river- side, or fall out of the way of villages, but the road he has always with him; and, in the true humour of observation, will find in that sufficient company. From its subtle windings and changes of level there arises a keen and continuous interest, that keeps the attention