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Today's Stichomancy for Michelangelo

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from An Open Letter on Translating by Dr. Martin Luther:

Further, I am more than amply rewarded if just one Christian acknowledge me as a workman with integrity. I do not care about the papists, as they are not good enough to acknowledge my work and, if they were to bless me, it would break my heart. I may be insulted by their highest praise and honor, but I will still be a doctor, even a distinguished one. I am certain that they shall never take from me until the final day.

Yet I have not just gone ahead, ignoring the exact wording in the original. Instead, with great care, I have, along with my helpers, gone ahead and have kept literally to the original, without the slightest deviation, wherever it appeared that a

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Around the World in 80 Days by Jules Verne:

"Certainly. We are not talking of the pagoda of Pillaji, but of the pagoda of Malabar Hill, at Bombay."

"And as a proof," added the clerk, "here are the desecrator's very shoes, which he left behind him."

Whereupon he placed a pair of shoes on his desk.

"My shoes!" cried Passepartout, in his surprise permitting this imprudent exclamation to escape him.

The confusion of master and man, who had quite forgotten the affair at Bombay, for which they were now detained at Calcutta, may be imagined.

Fix the detective, had foreseen the advantage which Passepartout's


Around the World in 80 Days
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Moon-Face and Other Stories by Jack London:

THE LEOPARD MAN'S STORY LOCAL COLOR AMATEUR NIGHT THE MINIONS OF MIDAS THE SHADOW AND THE FLASH ALL GOLD CANYON PLANCHETTE

MOON-FACE

John Claverhouse was a moon-faced man. You know the kind, cheek-bones wide apart, chin and forehead melting into the cheeks to complete the perfect round, and the nose, broad and pudgy, equidistant from the circumference,

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Tattine by Ruth Ogden [Mrs. Charles W. Ide]:

watch. Betsy, hearing the little cries, began at once to coax, giving little sharp barks at regular intervals, and trying to make the hole larger with her paws.

Tattine's ears, which were dear little shells of ears to look at, and very sharp little ears to hear with, thought the cries sounded a little nearer, and now a little nearer; then she was sure of it, and Betsy and she, both growing more excited every minute, kept pushing each other away from the hole the better to look into it, until at last two little beads of eyes glared out at them, and then it was an easy thing for Tattine to reach in and draw out the prettiest puppy of all.

"Why didn't you tell us there were five, Betsy, and save us all this extra