| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Myths and Myth-Makers by John Fiske: Greek conception of Hermes there have been fused together the
attributes of two deities who were originally distinct. The
Hermes of the Homeric Hymn is a wind-god; but the later Hermes
Agoraios, the patron of gymnasia, the mutilation of whose
statues caused such terrible excitement in Athens during the
Peloponnesian War, is a very different personage. He is a
fire-god, invested with many solar attributes, and represents
the quickening forces of nature. In this capacity the
invention of fire was ascribed to him as well as to
Prometheus; he was said to be the friend of mankind, and was
surnamed Ploutodotes, or "the giver of wealth."
 Myths and Myth-Makers |
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Art of War by Sun Tzu: us to blush for the Christian armies that entered Peking in 1900
A.D.] Thus he won the hearts of all. In the present passage,
then, I think that the true reading must be, not 'plunder,' but
'do not plunder.'" Alas, I fear that in this instance the worthy
commentator's feelings outran his judgment. Tu Mu, at least, has
no such illusions. He says: "When encamped on 'serious ground,'
there being no inducement as yet to advance further, and no
possibility of retreat, one ought to take measures for a
protracted resistance by bringing in provisions from all sides,
and keep a close watch on the enemy."]
In difficult ground, keep steadily on the march.
 The Art of War |
| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Catriona by Robert Louis Stevenson: with my colonel, Count Drummond-Melfort; and, what's mair to the
purpose I have a cousin of mine lieutenant-colonel in a regiment of the
Scots-Dutch. Naething could be mair proper than what I would get a
leave to see Lieutenant-Colonel Stewart of Halkett's. And Lord
Melfort, who is a very scienteefic kind of a man, and writes books like
Caesar, would be doubtless very pleased to have the advantage of my
observes."
"Is Lord Meloort an author, then?" I asked, for much as Alan thought of
soldiers, I thought more of the gentry that write books.
"The very same, Davie," said he. "One would think a colonel would have
something better to attend to. But what can I say that make songs?"
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The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Passionate Pilgrim by William Shakespeare: Age, I do defy thee: O, sweet shepherd, hie thee,
For methinks thou stay'st too long.
XIII.
Beauty is but a vain and doubtful good;
A shining gloss that vadeth suddenly;
A flower that dies when first it gins to bud;
A brittle glass that's broken presently:
A doubtful good, a gloss, a glass, a flower,
Lost, vaded, broken, dead within an hour.
And as goods lost are seld or never found,
As vaded gloss no rubbing will refresh,
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