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Today's Stichomancy for Michelle Yeoh

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Ivanhoe by Walter Scott:

I look back some thirty years to tell you another tale. As Cedric the Saxon then was, his plain English tale needed no garnish from French troubadours, when it was told in the ear of beauty; and the field of Northallerton, upon the day of the Holy Standard, could tell whether the Saxon war-cry was not heard as far within the ranks of the Scottish host as the _cri de guerre_ of the boldest Norman baron. To the memory of the brave who fought there!--- Pledge me, my guests.'' He drank deep, and went on with increasing warmth. ``Ay, that was a day


Ivanhoe
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Lesser Bourgeoisie by Honore de Balzac:

That was the reign of stewards and bailiffs, wily fellows, into whose hands the interests of the great families passed, and who fed and grew fat on the parings of the great fortunes they managed. But now-a-days, utilitarian theories, as they call them, have come to the fore,--'We are never so well served as by ourselves,' 'There's no shame in attending to one's own business,' and many other bourgeois maxims which have suppressed the role of intermediaries. Why shouldn't Mademoiselle Brigitte Thuillier manage her own house when dukes and peers go in person to the Bourse, where such men sign their own leases and read the deeds before they sign them, and go themselves to the notary, whom, in former days, they considered a servant."

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from God The Invisible King by H. G. Wells:

old beliefs. There is scarcely a religion that has not its Bahaism, its Modernists, its Brahmo Somaj, its "religion without theology," its attempts to escape from old forms and hampering associations to that living and world-wide spiritual reality upon which the human mind almost instinctively insists. . . .

It is the same God we all seek; he becomes more and more plainly the same God.

So that all this religious stir, which seems so multifold and incidental and disconnected and confused and entirely ineffective to-day, may be and most probably will be, in quite a few years a great flood of religious unanimity pouring over and changing all

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Tik-Tok of Oz by L. Frank Baum:

thought that Shaggy might show him the magic talisman and turn all the hatred in his heart into love. Ruggedo was proud of his hatred and abhorred love of any sort.

"Really," said he, "I'd rather he conquered and lose my wealth and my Kingdom than gaze at that awful Love Magnet. What can I do to prevent the Shaggy Man from taking it out of his pocket?"

Kaliko returned to the cavern in time to overhear this question, and being a loyal nome and eager to serve his King, he answered by saying:


Tik-Tok of Oz