| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Middlemarch by George Eliot: into strict connection with that amazing past, and give the remotest
sources of knowledge some bearing on her actions. That more complete
teaching would come--Mr. Casaubon would tell her all that: she was
looking forward to higher initiation in ideas, as she was looking
forward to marriage, and blending her dim conceptions of both.
It would be a great mistake to suppose that Dorothea would have cared
about any share in Mr. Casaubon's learning as mere accomplishment;
for though opinion in the neighborhood of Freshitt and Tipton
had pronounced her clever, that epithet would not have described
her to circles in whose more precise vocabulary cleverness implies
mere aptitude for knowing and doing, apart from character.
 Middlemarch |
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Count of Monte Cristo by Alexandre Dumas: horror-stricken.
"I think nothing, my friend; but all things are possible. By
the way" --
"What?" said Albert, seeing that Beauchamp hesitated.
"Are you going to marry Mademoiselle Danglars?"
"Why do you ask me now?"
"Because the rupture or fulfilment of this engagement is
connected with the person of whom we were speaking."
"How?" said Albert, whose brow reddened; "you think M.
Danglars" --
"I ask you only how your engagement stands? Pray put no
 The Count of Monte Cristo |