| The first excerpt represents the past or something you must release, and is drawn from The Picture of Dorian Gray by Oscar Wilde: to hide the fatal canvas, and was about to rush forward,
when he drew back with a shudder.
What was that loathsome red dew that gleamed, wet and glistening,
on one of the hands, as though the canvas had sweated blood?
How horrible it was!--more horrible, it seemed to him for the moment,
than the silent thing that he knew was stretched across the table,
the thing whose grotesque misshapen shadow on the spotted carpet
showed him that it had not stirred, but was still there, as he had
left it.
He heaved a deep breath, opened the door a little wider,
and with half-closed eyes and averted head, walked quickly in,
 The Picture of Dorian Gray |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Before Adam by Jack London: crevice in spells, when the fancy struck us.
At first we dug the crumbling rocks away with our
fingers, until our nails got sore, when I accidentally
stumbled upon the idea of using a piece of wood on the
rock. This worked well. Also it worked woe. One
morning early, we had scratched out of the wall quite a
heap of fragments. I gave the heap a shove over the
lip of the entrance. The next moment there came up
from below a howl of rage. There was no need to look.
We knew the voice only too well. The rubbish had
descended upon Red-Eye.
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The third excerpt represents the future or something you must embrace, and is drawn from McTeague by Frank Norris: boys, who were dressed exactly alike, "will releef one
unudder mit der camp-stuhl und basket number four. Dat is
comprehend, hay? When we make der start, you childern will
in der advance march. Dat is your orders. But we do not
start," he exclaimed, excitedly; "we remain. Ach Gott,
Selina, who does not arrive."
Selina, it appeared, was a niece of Mrs. Sieppe's. They were
on the point of starting without her, when she suddenly
arrived, very much out of breath. She was a slender,
unhealthy looking girl, who overworked herself giving
lessons in hand-painting at twenty-five cents an hour.
 McTeague |