Today's Stichomancy for Michelle Yeoh

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Resurrection by Leo Tolstoy:

replaced and straightened his cap. "Are you unbaptized?"

"Who's one to pray to?" asked the old man quickly, in a determinately aggressive tone.

"To whom? To God, of course," said the driver sarcastically.

"And you just show me where he is, that god." There was something so serious and firm in the expression of the old man, that the driver felt that he had to do with a strong-minded man, and was a bit abashed. And trying not to show this, not to be silenced, and not to be put to shame before the crowd that was observing them, he answered quickly.

"Where? In heaven, of course."

Resurrection

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Letters of Two Brides by Honore de Balzac:

innocence began describing my sensations to my mother, who was with me. She checked me with the warning that I must never say such things to any one but her.

"My dear child," she added, "it needs as much tact to know when to be silent as when to speak."

This advice brought home to me the nature of the sensations which ought to be concealed from every one, not excepting perhaps even a mother. At a glance I measured the vast field of feminine duplicity. I can assure you, sweetheart, that we, in our unabashed simplicity, would pass for two very wide-awake little scandal-mongers. What lessons may be conveyed in a finger on the lips, in a word, a look!

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Dracula by Bram Stoker:

right through to the very depths of your soul. Tell me, like one good fellow to another, is there any one else that you care for? And if there is I'll never trouble you a hair's breadth again, but will be, if you will let me, a very faithful friend."

My dear Mina, why are men so noble when we women are so little worthy of them? Here was I almost making fun of this great hearted, true gentleman. I burst into tears, I am afraid, my dear, you will think this a very sloppy letter in more ways than one, and I really felt very badly.

Why can't they let a girl marry three men, or as many as want her, and save all this trouble? But this is heresy, and I must not say it. I am glad to say that, though I was crying, I was able to look into

Dracula

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Aeroplanes and Dirigibles of War by Frederick A. Talbot:

used both by the aeroplane and the battery of artillery.

The code is varied frequently, but the following conveys a rough idea of how communication is carried out by this means under cover of darkness. The aeroplane has located its objective and has returned to the pre-arranged altitude. A red light is thrown by the airman. It indicates that he is directly over the enemy's position. A similarly coloured light is shown by the artillery officer, which intimates to the airman that his signal has been observed and that the range has been taken.

In observing the effects of artillery fire a code of signals is employed between the airman and the artillery officer to indicate