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Today's Stichomancy for Mick Jagger

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Rescue by Joseph Conrad:

as no rover in those seas had ever attempted.

That Tengga was much more ready to negotiate than to fight, the old adventurer had not the slightest doubt. How Lingard would deal with him was not a concern of Jorgenson's. That would be easy enough. Nothing prevented Lingard from going to see Tengga and talking to him with authority. All that ambitious person really wanted was to have a share in Lingard's wealth, in Lingard's power, in Lingard's friendship. A year before Tengga had once insinuated to Jorgenson, "In what way am I less worthy of being a friend than Belarab?"

It was a distinct overture, a disclosure of the man's innermost

The Rescue
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Bucolics by Virgil:

Alone without me, and from home afar, Look'st upon Alpine snows and frozen Rhine. Ah! may the frost not hurt thee, may the sharp And jagged ice not wound thy tender feet! I will depart, re-tune the songs I framed In verse Chalcidian to the oaten reed Of the Sicilian swain. Resolved am I In the woods, rather, with wild beasts to couch, And bear my doom, and character my love Upon the tender tree-trunks: they will grow, And you, my love, grow with them. And meanwhile

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Pericles by William Shakespeare:

It greets me as an enterprise of kindness Perform'd to your sole daughter.

CLEON. Heavens forgive it!

DIONYZA. And as for Pericles, What should he say? We wept after her hearse, And yet we mourn: her monument Is almost finish'd, and her epitaphs In glittering golden characters express A general praise to her, and care in us

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Summer by Edith Wharton:

had touched him in a way she did not suspect.

"Well, then...you must know one has to make allowances....He'd been drinking...."

"I know all that, too. I've seen him so before. But he wouldn't have dared speak to me that way if he hadn't..."

"Hadn't what? What do you mean?"

"Hadn't wanted me to be like those other girls...." She lowered her voice and looked away from him. "So's 't he wouldn't have to go out...."

Harney stared at her. For a moment he did not seem to