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Today's Stichomancy for Mick Jagger

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from An Inland Voyage by Robert Louis Stevenson:

proved better than the wine; the company was genial. This was the highest water mark of popular favour on the whole cruise. After all, being in a Judge's house, was there not something semi- official in the tribute? And so, remembering what a great country France is, we did full justice to our entertainment. Landrecies had been a long while asleep before we returned to the hotel; and the sentries on the ramparts were already looking for daybreak.

SAMBRE AND OISE CANAL

CANAL BOATS

NEXT day we made a late start in the rain. The Judge politely escorted us to the end of the lock under an umbrella. We had now

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Great Gatsby by F. Scott Fitzgerald:

Then she remembered the heat and sat down guiltily on the couch just as a freshly laundered nurse leading a little girl came into the room.

"Bles-sed pre-cious," she crooned, holding out her arms. "Come to your own mother that loves you."

The child, relinquished by the nurse, rushed across the room and rooted shyly into her mother's dress.

"The bles-sed pre-cious! Did mother get powder on your old yellowy hair? Stand up now, and say--How-de-do."

Gatsby and I in turn leaned down and took the small, reluctant hand. Afterward he kept looking at the child with surprise. I don't think he had ever really believed in its existence before.


The Great Gatsby
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The American by Henry James:

corner of Paris with his friend.

"I must confess," he presently went on, "that here I don't feel at all smart. My remarkable talents seem of no use. I feel as simple as a little child, and a little child might take me by the hand and lead me about."

"Oh, I'll be your little child," said Tristram, jovially; "I'll take you by the hand. Trust yourself to me"

"I am a good worker," Newman continued, "but I rather think I am a poor loafer. I have come abroad to amuse myself, but I doubt whether I know how."

"Oh, that's easily learned."

"Well, I may perhaps learn it, but I am afraid I shall never do it by rote.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Lin McLean by Owen Wister:

slanted upward through for a while, they came out again upon the immensity of the table-land. Here, abruptly like an ambush, was the whole unsuspected river close below to their right, as if it had emerged from the earth. With a circling sweep from somewhere out in the gloom it cut in close to the lofty mesa beneath tall clean-graded descents of sand, smooth as a railroad embankment. As they paused on the level to breathe their horses, the wet gulp of its eddies rose to them through the stillness. Upstream they could make out the light of the Drybone bridge, but not the bridge itself; and two lights on the farther bank showed where stood the hog-ranch opposite Drybone. They went on over the table-land and reached the next herald of the town, Drybone's chief