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Today's Stichomancy for Mike Myers

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from A Personal Record by Joseph Conrad:

humanely great--great, I mean, as affecting a whole mass of lives--has come from reflection. On the other hand, you cannot fail to see the power of mere words; such words as Glory, for instance, or Pity. I won't mention any more. They are not far to seek. Shouted with perseverance, with ardour, with conviction, these two by their sound alone have set whole nations in motion and upheaved the dry, hard ground on which rests our whole social fabric. There's "virtue" for you if you like! . . . Of course the accent must be attended to. The right accent. That's very important. The capacious lung, the thundering or the tender vocal chords. Don't talk to me of your Archimedes' lever.


A Personal Record
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Black Beauty by Anna Sewell:

This was a little joke of John's; he used to say that a regular course of "the Birtwick horseballs" would cure almost any vicious horse; these balls, he said, were made up of patience and gentleness, firmness and petting, one pound of each to be mixed up with half a pint of common sense, and given to the horse every day.

09 Merrylegs

Mr. Blomefield, the vicar, had a large family of boys and girls; sometimes they used to come and play with Miss Jessie and Flora. One of the girls was as old as Miss Jessie; two of the boys were older, and there were several little ones. When they came there was plenty of work for Merrylegs, for nothing pleased them so much as getting on him by turns

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Country Doctor by Honore de Balzac:

indefinite kind, and ranked her somewhere between the mayor and the park-keeper.

The master of the house found nobody in the kitchen when he entered it.

"Where the devil are they all gone?" he asked. "Pardon me for bringing you in this way," he went on, turning to Genestas. "The front entrance opens into the garden, but I am so little accustomed to receive visitors that--Jacquotte!" he called in rather peremptory tones.

A woman's voice answered to the name from the interior of the house. A moment later Jacquotte, assuming the offensive, called in her turn to Benassis, who forthwith went into the dining-room.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Secret Agent by Joseph Conrad:

to immoderate grief, had been the main sanctions of Stevie's self- restraint. Of these sentiments, all easily provoked, but not always easy to understand, the last had the greatest moral efficiency - because Mr Verloc was GOOD. His mother and his sister had established that ethical fact on an unshakable foundation. They had established, erected, consecrated it behind Mr Verloc's back, for reasons that had nothing to do with abstract morality. And Mr Verloc was not aware of it. It is but bare justice to him to say that he had no notion of appearing good to Stevie. Yet so it was. He was even the only man so qualified in Stevie's knowledge, because the gentlemen lodgers had been too transient and


The Secret Agent