Tarot Runes I Ching Stichomancy Contact
Store Numerology Coin Flip Yes or No Webmasters
Personal Celebrity Biorhythms Bibliomancy Settings

Today's Stichomancy for Mike Myers

The first excerpt represents the past or something you must release, and is drawn from The Bickerstaff-Partridge Papers by Jonathan Swift:

What great provocations I have receiv'd, let the impartial reader judge, and how unwillingly, even in my own defence, I now enter the lists against falsehood, ignorance and envy: But I am exasperated, at length, to drag out this cacus from the den of obscurity where he lurks, detect him by the light of those stars he has so impudently traduced, and shew there's not a monster in the skies so pernicious and malevolent to mankind, as an ignorant pretender to physick and astrology. I shall not directly fall on the many gross errors, nor expose the notorious absurdities of this prostituted libeller, till I have let the learned world fairly into the controversy depending, and then leave the

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Tattine by Ruth Ogden [Mrs. Charles W. Ide]:

words, that he had found life very comfortable and pleasant, and that he was still more than content with it notwithstanding that his back was bowed with work month in and month out, and the years were hurrying him fast on into old age.

And so Tattine was fond of Patrick, for what (child though she was) she knew him to be, and they spent many a delightful hour in each other's company.

"Patrick," said Tattine, on this particular morning, when they were raking away side by side, "does Mrs. Kirk ever have a day at home?" and she glanced at Patrick a little mischievously, doubting if he would know just what she meant.

"Shure she has all her days at home, Miss Tattine, save on a holiday, when we

The third excerpt represents the future or something you must embrace, and is drawn from Critias by Plato:

am about to say. And although I very well know that my request may appear to be somewhat ambitious and discourteous, I must make it nevertheless. For will any man of sense deny that you have spoken well? I can only attempt to show that I ought to have more indulgence than you, because my theme is more difficult; and I shall argue that to seem to speak well of the gods to men is far easier than to speak well of men to men: for the inexperience and utter ignorance of his hearers about any subject is a great assistance to him who has to speak of it, and we know how ignorant we are concerning the gods. But I should like to make my meaning clearer, if you will follow me. All that is said by any of us can only be imitation and representation. For if we consider the likenesses which painters make