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Today's Stichomancy for Mike Myers

The first excerpt represents the past or something you must release, and is drawn from The School For Scandal by Richard Brinsley Sheridan:

at the Coffee-House. [Knock.]

SURFACE. 'Sdeath--here's Sir Oliver at the Door----Now I beg-- Mr. Stanley----

CHARLES. Aye aye and I beg Mr. Premium----

SIR OLIVER. Gentlemen----

SURFACE. Sir, by Heaven you shall go--

CHARLES. Aye out with him certainly----

SIR OLIVER. This violence----

SURFACE. 'Tis your own Fault.

CHARLES. Out with him to be sure. [Both forcing SIR OLIVER out.]

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Charmides by Plato:

That is what we have to consider, he said.

And here, Critias, I said, I hope that you will find a way out of a difficulty into which I have got myself. Shall I tell you the nature of the difficulty?

By all means, he replied.

Does not what you have been saying, if true, amount to this: that there must be a single science which is wholly a science of itself and of other sciences, and that the same is also the science of the absence of science?

Yes.

But consider how monstrous this proposition is, my friend: in any parallel case, the impossibility will be transparent to you.

The third excerpt represents the future or something you must embrace, and is drawn from The Redheaded Outfield by Zane Grey:

second baseman, which, striking squarely in his hands, recoiled as sharply as if it had struck a wall. Doran scored, and still the bases were filled.

The laboring pitcher began to get rattled; he could not find his usual speed; he knew it, but evidently could not account for it.

When I came to bat, indications were not wanting that the Canadian team would soon be up in the air. The long pitcher delivered the ``rabbit,'' and got it low down by my knees, which was an unfortunate thing for him. I swung on


The Redheaded Outfield