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Today's Stichomancy for Mike Myers

The first excerpt represents the past or something you must release, and is drawn from On the Duty of Civil Disobedience by Henry David Thoreau:

nor wish it to prevail through the power of the majority. There is but little virtue in the action of masses of men. When the majority shall at length vote for the abolition of slavery, it will be because they are indifferent to slavery, or because there is but little slavery left to be abolished by their vote. They will then be the only slaves. Only his vote can hasten the abolition of slavery who asserts his own freedom by his vote.

I hear of a convention to be held at Baltimore, or elsewhere, for the selection of a candidate for the Presidency, made up chiefly of editors, and men who are


On the Duty of Civil Disobedience
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Camille by Alexandre Dumas:

wanted to keep it. If you really want it, I will ask her for it."

"Let her keep it," I stammered, for I felt the tears rise from my heart to my eyes at the recollection of the village where I had been so happy, and at the thought that Marguerite cared to keep something which had belonged to me and would recall me to her. If she had entered at that moment my thoughts of vengeance would have disappeared, and I should have fallen at her feet.

"For the rest," continued Prudence, "I never saw her as she is now; she hardly takes any sleep, she goes to all the balls, she goes to suppers, she even drinks. The other day, after a supper, she had to stay in bed for a week; and when the doctor let her


Camille
The third excerpt represents the future or something you must embrace, and is drawn from At the Sign of the Cat & Racket by Honore de Balzac:

to Chevrel." Many a passer-by would have found it difficult to guess the class of trade carried on by Monsieur Guillaume. Between the strong iron bars which protected his shop windows on the outside, certain packages, wrapped in brown linen, were hardly visible, though as numerous as herrings swimming in a shoal. Notwithstanding the primitive aspect of the Gothic front, Monsieur Guillaume, of all the merchant clothiers in Paris, was the one whose stores were always the best provided, whose connections were the most extensive, and whose commercial honesty never lay under the slightest suspicion. If some of his brethren in business made a contract with the Government, and had not the required quantity of cloth, he was always ready to deliver it,