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Today's Stichomancy for Mike Myers

The first excerpt represents the past or something you must release, and is drawn from Howard Pyle's Book of Pirates by Howard Pyle:

news came to his ears of what Matt Abrahamson had found he went over to the fisherman's cabin to see the child. He examined the clothes in which the baby was dressed. They were of fine linen and handsomely stitched, and the reverend gentleman opined that the foundling's parents must have been of quality. A kerchief had been wrapped around the baby's neck and under its arms and tied behind, and in the corner, marked with very fine needlework, were the initials T. C.

"What d'ye call him, Molly?" said Parson Jones. He was standing, as he spoke, with his back to the fire, warming his palms before the blaze. The pocket of the greatcoat he wore bulged out with a


Howard Pyle's Book of Pirates
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Shadow Line by Joseph Conrad:

on the ground between them. As far as the eye could reach along the quay there was not another soul abroad except the police peon, who saluted us.

It seems he had detained the coolies as suspicious characters, and had forbidden them the jetty. But at a sign from me he took off the embargo with alacrity. The two patient fellows, rising together with a faint grunt, trotted off along the planks, and I prepared to take my leave of Captain Giles, who stood there with an air as though his mission were drawing to a close. It could not be denied that he


The Shadow Line
The third excerpt represents the future or something you must embrace, and is drawn from Moran of the Lady Letty by Frank Norris:

stern and prow, as distinctly as though at noonday. As he watched, it seemed as if a great wave caught her suddenly underfoot. She heaved up bodily out of the water, dropped again with a splash, rose again, and again fell back into her own ripples, that, widening from her sides, broke crisply on the sand at Wilbur's feet.

Then the commotion ceased abruptly. The bay was quiet again. An hour passed, then two. The moon began to set. Moran and Wilbur, wearied of watching, had turned in again, when they were startled to wakefulness by the creak of oarlocks and the sound of a boat grounding in the sand.