| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Meno by Plato: reflected how quickly the bloom of a philosophy passes away; or how hard it
is for one age to understand the writings of another; or how nice a
judgment is required of those who are seeking to express the philosophy of
one age in the terms of another. The 'eternal truths' of which
metaphysicians speak have hardly ever lasted more than a generation. In
our own day schools or systems of philosophy which have once been famous
have died before the founders of them. We are still, as in Plato's age,
groping about for a new method more comprehensive than any of those which
now prevail; and also more permanent. And we seem to see at a distance the
promise of such a method, which can hardly be any other than the method of
idealized experience, having roots which strike far down into the history
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The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from A Distinguished Provincial at Paris by Honore de Balzac: memory. Every phrase was a prophecy, it seemed as if Lucien had set
himself to fulfil the predictions one by one. When Lucien and Mme. de
Bargeton had parted with their illusions concerning each other, the
luckless youth, with a destiny not unlike Rousseau's, went so far in
his predecessor's footsteps that he was captivated by the great lady
and smitten with Mme. d'Espard at first sight. Young men and men who
remember their young emotions can see that this was only what might
have been looked for. Mme. d'Espard with her dainty ways, her delicate
enunciation, and the refined tones of her voice; the fragile woman so
envied, of such high place and high degree, appeared before the poet
as Mme. de Bargeton had appeared to him in Angouleme. His fickle
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| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The House of Dust by Conrad Aiken: Some sinister depth of lust or fear or hatred,
The sombre note that gives the chord its power;
Or a white loveliness--if such we know--
Too much like fire to speak of without shame.
Well, this being so, and we who know it being
So curious about those well-locked houses,
The minds of those we know,--to enter softly,
And steal from floor to floor up shadowy stairways,
From room to quiet room, from wall to wall,
Breathing deliberately the very air,
Pressing our hands and nerves against warm darkness
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The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from La Grande Breteche by Honore de Balzac: existence. I often wept there, I never laughed.
"More than once I felt involuntary terrors as I heard overhead the
dull hum of the wings of some hurrying wood-pigeon. The earth is dank;
you must be on the watch for lizards, vipers, and frogs, wandering
about with the wild freedom of nature; above all, you must have no
fear of cold, for in a few moments you feel an icy cloak settle on
your shoulders, like the Commendatore's hand on Don Giovanni's neck.
"One evening I felt a shudder; the wind had turned an old rusty
weathercock, and the creaking sounded like a cry from the house, at
the very moment when I was finishing a gloomy drama to account for
this monumental embodiment of woe. I returned to my inn, lost in
La Grande Breteche |
