| The first excerpt represents the past or something you must release, and is drawn from The Mirror of the Sea by Joseph Conrad: the alert and raised your expectations, but the result somehow was
always on stereotyped lines, unsuggestive, empty of any lesson that
one could lay to heart. He kept his ship in apple-pie order, which
would have been seamanlike enough but for a finicking touch in its
details. His officers affected a superiority over the rest of us,
but the boredom of their souls appeared in their manner of dreary
submission to the fads of their commander. It was only his
apprenticed boys whose irrepressible spirits were not affected by
the solemn and respectable mediocrity of that artist. There were
four of these youngsters: one the son of a doctor, another of a
colonel, the third of a jeweller; the name of the fourth was
 The Mirror of the Sea |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Lesser Hippias by Plato: Aristotle.
The dialogues which have been translated in the first Appendix, and which
appear to have the next claim to genuineness among the Platonic writings,
are the Lesser Hippias, the Menexenus or Funeral Oration, the First
Alcibiades. Of these, the Lesser Hippias and the Funeral Oration are cited
by Aristotle; the first in the Metaphysics, the latter in the Rhetoric.
Neither of them are expressly attributed to Plato, but in his citation of
both of them he seems to be referring to passages in the extant dialogues.
From the mention of 'Hippias' in the singular by Aristotle, we may perhaps
infer that he was unacquainted with a second dialogue bearing the same
name. Moreover, the mere existence of a Greater and Lesser Hippias, and of
|
The third excerpt represents the future or something you must embrace, and is drawn from The Narrative of the Life of Frederick Douglass: An American Slave by Frederick Douglass: fair way for it. Master Thomas ridiculed the idea
that there was any danger of Mr. Covey's killing
me, and said that he knew Mr. Covey; that he was
a good man, and that he could not think of taking
me from him; that, should he do so, he would lose
the whole year's wages; that I belonged to Mr. Covey
for one year, and that I must go back to him, come
what might; and that I must not trouble him with
any more stories, or that he would himself GET HOLD
OF ME. After threatening me thus, he gave me a very
large dose of salts, telling me that I might remain
 The Narrative of the Life of Frederick Douglass: An American Slave |