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Today's Stichomancy for Mitt Romney

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Tattine by Ruth Ogden [Mrs. Charles W. Ide]:

was able of course to indicate the exact spot to which the trench must lead. It was the work of an hour to excavate the foundation-stones, and an additional half-hour to dig the trench. Meantime Betsy appeared upon the scene, and, evidently appreciating what was going on, stood about and superintended matters with quite an important air. Rudolph clambered in and dug the last few feet of the trench, because it did not need to be as large for him as for Joseph and Patrick, and then one at a time he brought the dear little puppies out, and Mabel and Tattine took turns in appropriating them, while Betsy eyed them proudly but withal a little anxiously. And they were dear; as prettily marked as their beautiful grandmother Tadjie, and too cunning for words.

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Glasses by Henry James:

had appeared. "You're lovelier at this day than you have ever been in your life!" At the sound of my voice and that of the opening of the door her impatience broke into audible joy. She sprang up, recognising me, always holding me, and gleefully cried to a gentleman who was arrested in the doorway by the sight of me: "He has come back, he has come back, and you should have heard what he says of me!" The gentleman was Geoffrey Dawling, and I thought it best to let him hear on the spot. "How beautiful she is, my dear man--but how extraordinarily beautiful! More beautiful at this hour than ever, ever before!"

It gave them almost equal pleasure and made Dawling blush to his

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from A Princess of Parms by Edgar Rice Burroughs:

on the possible explanation of the strange anomalies which I had so far met with on Mars, Sola returned bearing both food and drink. These she placed on the floor beside me, and seating herself a short ways off regarded me intently. The food consisted of about a pound of some solid substance of the consistency of cheese and almost tasteless, while the liquid was apparently milk from some animal. It was not unpleasant to the taste, though slightly acid, and I learned in a short time to prize it very highly. It came, as I later discovered, not from an animal, as there is only one mammal on Mars and that one very rare indeed, but from a large plant which grows practically

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Shadow Line by Joseph Conrad:

inconceivable lines.

No. My will had nothing to do with it. In- deed, no sooner had I made that fateful noise than I became extremely sorry for it. Had the man stopped and faced me I would have had to retire in disorder. For I had no notion to carry out Captain Giles' idiotic joke, either at my own expense or at the expense of the Steward.

But here the old human instinct of the chase came into play. He pretended to be deaf, and I, without thinking a second about it, dashed along


The Shadow Line