| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Ferragus by Honore de Balzac: bury them, or whether they have escaped out of their coffins. At any
rate, they have reached the condition of semi-fossils.
One of these Parisian Melmoths had come within a few days into a
neighborhood of sober, quiet people, who, when the weather is fine,
are invariably to be found in the space which lies between the south
entrance of the Luxembourg and the north entrance of the Observatoire,
--a space without a name, the neutral space of Paris. There, Paris is
no longer; and there, Paris still lingers. The spot is a mingling of
street, square, boulevard, fortification, garden, avenue, high-road,
province, and metropolis; certainly, all of that is to be found there,
and yet the place is nothing of all that,--it is a desert. Around this
Ferragus |
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from A Pair of Blue Eyes by Thomas Hardy: had been the means of precipitating occupied a far longer length
of her meditations.
Elfride's disquiet now was on account of that miserable promise to
meet Stephen, which returned like a spectre again and again. The
perception of his littleness beside Knight grew upon her
alarmingly. She now thought how sound had been her father's
advice to her to give him up, and was as passionately desirous of
following it as she had hitherto been averse. Perhaps there is
nothing more hardening to the tone of young minds than thus to
discover how their dearest and strongest wishes become gradually
attuned by Time the Cynic to the very note of some selfish policy
A Pair of Blue Eyes |
| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Anna Karenina by Leo Tolstoy: paid his bill, the amount of which was in some mysterious way
ascertained by the little old waiter who stood at the counter,
and swinging his arms he walked through all the rooms to the way
out.
Chapter 9
"Vronsky's carriage!" the porter shouted in an angry bass. The
carriage drove up and both got in. It was only for the first few
moments, while the carriage was driving out of the clubhouse
gates, that Levin was still under the influence of the club
atmosphere of repose, comfort, and unimpeachable good form. But
as soon as the carriage drove out into the street, and he felt it
Anna Karenina |
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Cratylus by Plato: physician who orders them, he may be rightly called Apolouon (purifier); or
in respect of his powers of divination, and his truth and sincerity, which
is the same as truth, he may be most fitly called Aplos, from aplous
(sincere), as in the Thessalian dialect, for all the Thessalians call him
Aplos; also he is aei Ballon (always shooting), because he is a master
archer who never misses; or again, the name may refer to his musical
attributes, and then, as in akolouthos, and akoitis, and in many other
words the alpha is supposed to mean 'together,' so the meaning of the name
Apollo will be 'moving together,' whether in the poles of heaven as they
are called, or in the harmony of song, which is termed concord, because he
moves all together by an harmonious power, as astronomers and musicians
|
