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Today's Stichomancy for Moby

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Intentions by Oscar Wilde:

of genius that when he does tell us anything marvellous, he feels bound to invent a personal reminiscence, and to put it into a footnote as a kind of cowardly corroboration. Nor are our other novelists much better. Mr. Henry James writes fiction as if it were a painful duty, and wastes upon mean motives and imperceptible 'points of view" his neat literary style, his felicitous phrases, his swift and caustic satire. Mr. Hall Caine, it is true, aims at the grandiose, but then he writes at the top of his voice. He is so loud that one cannot bear what he says. Mr. James Payn is an adept in the art of concealing what is not worth finding. He hunts down the obvious with the enthusiasm of a short-sighted detective.

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Merry Adventures of Robin Hood by Howard Pyle:

but the horse he rideth upon hath the richest coursing that ever I saw. The Knight dismounts and they come this way, and are even now below in the great hall."

"Lo, see ye there now," quoth Prior Vincent. "Here ye have a knight with so lean a purse as scarce to buy him a crust of bread to munch, yet he keeps a band of retainers and puts rich trappings upon his horse's hide, while his own back goeth bare. Is it not well that such men should be brought low?"

"But art thou sure," said the little doctor tremulously, "that this knight will do us no harm? Such as he are fierce when crossed, and he hath a band of naughty men at his heels.


The Merry Adventures of Robin Hood
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Ozma of Oz by L. Frank Baum:

With a scream like that of an angry giant it tore away the ropes that held the coop and lifted it high into the air, with Dorothy still clinging to the slats. Around and over it whirled, this way and that, and a few moments later the chicken-coop dropped far away into the sea, where the big waves caught it and slid it up-hill to a foaming crest and then down-hill into a deep valley, as if it were nothing more than a plaything to keep them amused.

Dorothy had a good ducking, you may be sure, but she didn't loose her presence of mind even for a second. She kept tight hold of the stout slats and as soon as she could get the water out of her eyes she saw that the wind had ripped the cover from the coop, and the poor


Ozma of Oz
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Aeroplanes and Dirigibles of War by Frederick A. Talbot:

disproved others. But there is one point upon which authorities are unanimous. If the artillery of the investing forces is exposed and readily distinguishable, the aerial forces of the beleaguered will bring about its speedy annihilation, as the defensive artillery will be concentrated upon that of the besiegers.

CHAPTER IX THE AIRMAN AND ARTILLERY

There is one field in which the airman has achieved distinctive triumphs. This is in the guidance of artillery fire. The modern battle depends first and foremost upon the fierce effec tiveness