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Today's Stichomancy for Moby

The first excerpt represents the past or something you must release, and is drawn from Criminal Sociology by Enrico Ferri:

twofold character, and both modes ought to be employed and brought into action simultaneously--in the first place, the amelioration of the social conditions, as a natural preventive of crime, in the nature of a substitute for punishment; and, secondly, measures of perpetual or temporary elimination of criminals, according as the influence of biological conditions in the evolution of crime is all but absolute, or more or less great, and more or less curable.

As a matter of fact, when we follow the periodic variations of crime, with its measured growth and decrease, we cannot fail to conclude that these constant and constantly occurring variations depend upon a corresponding variation of anthropological and

The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Alkahest by Honore de Balzac:

into fraternal relations with Germany and Holland. From Spain it acquired the luxury of scarlet dyes and shimmering satins, tapestries of vigorous design, plumes, mandolins, and courtly bearing. In exchange for its linen and its laces, it brought from Venice that fairy glass-ware in which wine sparkles and seems the mellower. From Austria it learned the ponderous diplomacy which, to use a popular saying, takes three steps backward to one forward; while its trade with India poured into it the grotesque designs of China and the marvels of Japan.

And yet, in spite of its patience in gathering such treasures, its tenacity in parting with no possession once gained, its endurance of

The third excerpt represents the future or something you must embrace, and is drawn from Herbert West: Reanimator by H. P. Lovecraft:

What he wanted was not a thing which many persons want, but something connected with the peculiar branch of medical science which he had chosen quite clandestinely to follow, and in which he had achieved amazing and occasionally hideous results. It was, in fact, nothing more or less than an abundant supply of freshly killed men in every stage of dismemberment. Herbert West needed fresh bodies because his life-work was the reanimation of the dead. This work was not known to the fashionable clientele who had so swiftly built up his fame after his arrival in Boston; but was only too well known to me, who had been his closest friend


Herbert West: Reanimator