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Today's Stichomancy for Mohandas Gandhi

The first excerpt represents the past or something you must release, and is drawn from The Purse by Honore de Balzac:

gratis of a comical scene with Monsieur Molineux as concerning certain decorative repairs in his studio, was not surprised to see the dark greasy paint, the oily stains, spots, and other disagreeable accessories that varied the woodwork. And these stigmata of poverty are not altogether devoid of poetry in an artist's eyes.

Mademoiselle Leseigneur herself opened the door. On recognizing the young artist she bowed, and at the same time, with Parisian adroitness, and with the presence of mind that pride can lend, she turned round to shut the door in a glass partition through which Hippolyte might have caught sight of some linen hung by

The second excerpt represents the present or the deciding factor of the moment, and is drawn from King Henry VI by William Shakespeare:

KING. Why, Buckingham, is the traitor Cade surpris'd? Or is he but retir'd to make him strong?

[Enter, below, multitudes with halters about their necks.]

CLIFFORD. He is fled, my lord, and all his powers do yield, And humbly thus, with halters on their necks, Expect your highness' doom, of life or death.

KING. Then, heaven, set ope thy everlasting gates, To entertain my vows of thanks and praise!--

The third excerpt represents the future or something you must embrace, and is drawn from The Waste Land by T. S. Eliot:

Where all shall see her naked skin . . .

199. I do not know the origin of the ballad from which these lines are taken: it was reported to me from Sydney, Australia.

202. _V._ Verlaine, PARSIFAL.

210. The currants were quoted at a price 'carriage and insurance free to London'; and the Bill of Lading, etc., were to be handed to the buyer upon payment of the sight draft.

Notes 196 and 197 were transposed in this and the Hogarth Press edition, but have been corrected here.

210. 'Carriage and insurance free'] 'cost, insurance and freight'--Editor.

218. Tiresias, although a mere spectator and not indeed a 'character',


The Waste Land