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Today's Stichomancy for Monica Potter

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Deserted Woman by Honore de Balzac:

Mme. Gaston de Nueil, like a great many young women, was a rather colorless character, sweet and passive. A month after her marriage she had expectations of becoming a mother. All this was quite in accordance with ordinary views. M. de Nueil was very nice to her; but two months after his separation from the Marquise, he grew notably thoughtful and abstracted. But then he always had been serious, his mother said.

After seven months of this tepid happiness, a little thing occurred, one of those seemingly small matters which imply such great development of thought and such widespread trouble of the soul, that only the bare fact can be recorded; the interpretation of it must be

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from In a German Pension by Katherine Mansfield:

boots. Ah, what a relief to wear sandals again. I am needing the 'cure' very badly this year. My nerves! I am a mass of them. During the entire journey I sat with my handkerchief over my head, even while the guard collected the tickets. Exhausted!"

She came into the arbour wearing a black and white spotted dressing-gown, and a calico cap peaked with patent leather, followed by Kathi, carrying the little blue jugs of malt coffee. We were formally introduced. Frau Fischer sat down, produced a perfectly clean pocket handkerchief and polished her cup and saucer, then lifted the lid of the coffee-pot and peered in at the contents mournfully.

"Malt coffee," she said. "Ah, for the first few days I wonder how I can

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from 'Twixt Land & Sea by Joseph Conrad:

sail-locker, which communicates with the lobby. But there is an opening, a sort of square for hauling the sails out, which gives straight on the quarter-deck and which is never closed in fine weather, so as to give air to the sails. ' When the ship's way is deadened in stays and all the hands are aft at the main-braces you shall have a clear road to slip out and get overboard through the open quarter-deck port. I've had them both fastened up. Use a rope's end to lower yourself into the water so as to avoid a splash - you know. It could be heard and cause some beastly complication."

He kept silent for a while, then whispered, "I understand."


'Twixt Land & Sea
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from A Voyage to Arcturus by David Lindsay:

into vision, and he saw a sight that caused him to turn pale. A gigantic, self-luminous sphere was hanging in the sky, occupying nearly the whole of it. This sphere was composed entirely of two kinds of active beings. There were a myriad of tiny green corpuscles, varying in size from the very small to the almost indiscernible. They were not green, but he somehow saw them so. They were all striving in one direction - toward himself, toward Muspel, but were too feeble and miniature to make any headway. Their action produced the marching rhythm he had previously felt, but this rhythm was not intrinsic in the corpuscles themselves, but was a consequence of the obstruction they met with. And, surrounding these