| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Ferragus by Honore de Balzac: "Don't know him."
"Doesn't Monsieur Ferragus live here?"
"Haven't such a name in the house."
"But, my good woman--"
"I'm not your good woman, monsieur, I'm the portress."
"But, madame," persisted the baron, "I have a letter for Monsieur
Ferragus."
"Ah! if monsieur has a letter," she said, changing her tone, "that's
another matter. Will you let me see it--that letter?"
Auguste showed the folded letter. The old woman shook her head with a
doubtful air, hesitated, seemed to wish to leave the lodge and inform
 Ferragus |
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Chita: A Memory of Last Island by Lafcadio Hearn: sea was warm,--warm like soup--and clear, with an emerald flash
in every ripple,--not opaque and clamorous like the Gulf today
... Miguel and his comrade are anxious. Ropes are unrolled and
inter-knotted into a line. Miguel remains on the beach; but
Mateo, bearing the end of the line, fights his way out,--swimming
and wading by turns, to the further sandbar, where the water is
shallow enough to stand in,--if you know how to jump when the
breaker comes.
But Feliu, nearing the flooded shell-bank, watches the white
flashings,--knows when the time comes to keep flat and take a
long, long breath. One heavy volleying of foam,--darkness and
|
| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Running a Thousand Miles for Freedom by William and Ellen Craft: him, and would not speak till he showed their
mother's likeness; the sight of which melted her
to tears,--for she knew the face. Frank might
have said to her
"'O, Emma! O, my sister, speak to me!
Dost thou not know me, that I am thy brother?
Come to me, little Emma, thou shalt dwell
With me henceforth, and know no care or want.'
Emma was silent for a space, as if
'Twere hard to summon up a human voice."
Frank and Mary's mother was my wife's own
 Running a Thousand Miles for Freedom |
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Heart of the West by O. Henry: out in a cab to Lolabelle Delatour's flat on Forty-third Street. I
knew her well. She was a chorus-girl in a Broadway musical comedy.
"'Jane,' says I when I found her, 'I've got a friend from Texas here.
He's all right, but--well, he carries weight. I'd like to give him a
little whirl after the show this evening--bubbles, you know, and a
buzz out to a casino for the whitebait and pickled walnuts. Is it a
go?'
"'Can he sing?' asks Lolabelle.
"'You know,' says I, 'that I wouldn't take him away from home unless
his notes were good. He's got pots of money--bean-pots full of it.'
"'Bring him around after the second act,' says Lolabelle, 'and I'll
 Heart of the West |