| The first excerpt represents the past or something you must release, and is drawn from Sons and Lovers by D. H. Lawrence: Then he ran downstairs for more milk. There were no grains in the bottom
of the cup.
"Has she had it?" whispered Annie.
"Yes--and she said it was bitter."
"Oh!" laughed Annie, putting her under lip between her teeth.
"And I told her it was a new draught. Where's that milk?"
They both went upstairs.
"I wonder why nurse didn't come to settle me down?"
complained the mother, like a child, wistfully.
"She said she was going to a concert, my love," replied Annie.
"Did she?"
Sons and Lovers |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Golden Threshold by Sarojini Naidu: Drinking together of life's poignant sweet,
BUY FLOWERS, BUY FLOWERS, floats down the singing street.
TO INDIA
O young through all thy immemorial years!
Rise, Mother, rise, regenerate from thy gloom,
And, like a bride high-mated with the spheres,
Beget new glories from thine ageless womb!
The nations that in fettered darkness weep
Crave thee to lead them where great mornings break . . . .
Mother, O Mother, wherefore dost thou sleep?
Arise and answer for thy children's sake!
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The third excerpt represents the future or something you must embrace, and is drawn from The Crowd by Gustave le Bon: say, in reality, their progressive transformation into governing
classes--is one of the most striking characteristics of our epoch
of transition. The introduction of universal suffrage, which
exercised for a long time but little influence, is not, as might
be thought, the distinguishing feature of this transference of
political power. The progressive growth of the power of the
masses took place at first by the propagation of certain ideas,
which have slowly implanted themselves in men's minds, and
afterwards by the gradual association of individuals bent on
bringing about the realisation of theoretical conceptions. It is
by association that crowds have come to procure ideas with
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