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Today's Stichomancy for Muhammad Ali

The first excerpt represents the past or something you must release, and is drawn from Youth by Joseph Conrad:

convulsed with horror. . . . Pass the bottle.

"There was a voice hailing the ship from somewhere --in the air, in the sky--I couldn't tell. Presently I saw the captain--and he was mad. He asked me eagerly, 'Where's the cabin-table?' and to hear such a question was a frightful shock. I had just been blown up, you understand, and vibrated with that experience,--I wasn't quite sure whether I was alive. Mahon began to stamp with both feet and yelled at him, 'Good God! don't you see the deck's blown out of her?' I found my voice, and stammered out as if conscious of some gross neglect of

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Helen of Troy And Other Poems by Sara Teasdale:

The Blind

The birds are all a-building, They say the world's a-flower, And still I linger lonely Within a barren bower.

I weave a web of fancies Of tears and darkness spun. How shall I sing of sunlight Who never saw the sun?

I hear the pipes a-blowing, But yet I may not dance,

The third excerpt represents the future or something you must embrace, and is drawn from The Voice of the City by O. Henry:

season. I quit it because I was sick of the life. And especially because my heart and soul were sick of men of the kind of men we stage people have to be up against. You know what the game is to us -- it's a fight against 'em all the way down the line from the manager who wants us to try his new motor-car to the bill-posters who want to call us by our front names.

"And the men we have to meet after the show are the worst of all. The stage-door kind, and the man- ager's friends who take us to supper and show their diamonds and talk about seeing 'Dan' and 'Dave'

The Voice of the City