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Today's Stichomancy for Naomi Campbell

The first excerpt represents the past or something you must release, and is drawn from Tanglewood Tales by Nathaniel Hawthorne:

Polyphemus, and how they had put out his one great moony eye; while in another part of the tapestry they were untying the leathern bags, puffed out with contrary winds; and farther on, they beheld themselves scampering away from the gigantic king of the Laestrygons, who had caught one of them by the leg. Lastly, there they were, sitting on the desolate shore of this very island, hungry and downcast, and looking ruefully at the bare bones of the stag which they devoured yesterday. This was as far as the work had yet proceeded; but when the beautiful woman should again sit down at her loom, she would probably make a picture of what had since happened to the strangers, and

Tanglewood Tales
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Atheist's Mass by Honore de Balzac:

had died some time since, of which he would talk to me, asking whether I thought the Church would allow masses to be said for the repose of its soul. His dog, said he, had been a good Christian, who for twelve years had accompanied him to church, never barking, listening to the organ without opening his mouth, and crouching beside him in a way that made it seem as though he were praying too.

"This man centered all his affections in me; he looked upon me as a forlorn and suffering creature, and he became, to me, the most thoughtful mother, the most considerate benefactor, the ideal of the virtue which rejoices in its own work. When I met him in the

The third excerpt represents the future or something you must embrace, and is drawn from Rise and Fall of Cesar Birotteau by Honore de Balzac:

a salon, with three windows on the street, in white and red, with cornices of an elegant design which had nothing gaudy about them. On a chimney-piece of white marble supported by columns were a number of mantel ornaments chosen with taste; they suggested nothing to ridicule, and were in keeping with the other details. A soft harmony prevailed throughout the room, a harmony which artists alone know how to attain by carrying uniformity of decoration into the minutest particulars,--an art of which the bourgeois mind is ignorant, though it is much taken with its results. A glass chandelier, with twenty- four wax-candles, brought out the color of the red silk draperies; the polished floor had an enticing look, which tempted Cesarine to dance.

Rise and Fall of Cesar Birotteau