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Today's Stichomancy for Natalie Imbruglia

The first excerpt represents the past or something you must release, and is drawn from King Henry VI by William Shakespeare:

KING HENRY. Forbear to judge, for we are sinners all.-- Close up his eyes and draw the curtain close; And let us all to meditation.

[Exeunt.]

ACT IV.

SCENE I. The Coast of Kent.

[Alarum. Fight at sea. Ordnance goes off. Enter a Captain, a Master, a Master's Mate, WALTER WHITMORE, and others; with them SUFFOLK, and others, prisoners.]

CAPTAIN.

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Somebody's Little Girl by Martha Young:

beg her pardon.''

Then Sister Theckla came to take all the little girls to the room where so many chairs sat in so many rows, and she too said: ``Yes, you must beg her pardon.''

Bessie Bell was listening so that she had almost stopped crying, but now when Sister Story Felice and Sister Theckla both said to the little girl, ``Yes, you must beg pardon,'' then the little girl began to cry, too.

Then Bessie Bell grew so sorry again, she hardly knew why, or for what, that she began to cry again.

So then both Sisters said again: ``Yes, you should beg pardon.''

The third excerpt represents the future or something you must embrace, and is drawn from New Arabian Nights by Robert Louis Stevenson:

"Your door . . . " he began.

"About my door?" asked the other, raising his peaked eyebrows. "A little piece of ingenuity." And he shrugged his shoulders. "A hospitable fancy! By your own account, you were not desirous of making my acquaintance. We old people look for such reluctance now and then; and when it touches our honour, we cast about until we find some way of overcoming it. You arrive uninvited, but believe me, very welcome."

"You persist in error, sir," said Denis. "There can be no question between you and me. I am a stranger in this countryside. My name is Denis, damoiseau de Beaulieu. If you see me in your house, it