| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Tono Bungay by H. G. Wells: unfamiliar through the growth of a beard, his nose pinched and
thin. Never had he looked so small as now. And he talked to me
in a whispering, strained voice of great issues, of why his life
had been, and whither he was going. Poor little man! that last
phase is, as it were, disconnected from all the other phases. It
was as if he crawled out from the ruins of his career, and looked
about him before he died. For he had quite clear-minded states
in the intervals of his delirium.
He knew he was almost certainly dying. In a way that took the
burthen of his cares off his mind. There was no more Neal to
face, no more flights or evasions, no punishments.
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The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Patchwork Girl of Oz by L. Frank Baum: order her around, Bungle, as you do us. You
must treat the Patchwork Girl respectfully."
"I won't. I couldn't respect such a bundle
of scraps under any circumstances."
"If you don't, there will be more scraps than
you will like," cried Margolotte, angrily.
"Why didn't you make her pretty to look at?"
asked the cat. "You made me pretty--very pretty,
indeed--and I love to watch my pink brains roll
around when they're working, and to see my
precious red heart beat." She went to a long
 The Patchwork Girl of Oz |