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Today's Stichomancy for Neal Stephenson

The first excerpt represents the past or something you must release, and is drawn from Tom Grogan by F. Hopkinson Smith:

song ceased. When Mr. Finnegan had anything very serious on his mind he never sang.

When, some time after, Billy emerged from O'Leary's door, he had a two-dollar bill tightly squeezed in his right hand. Part of this he spent on his way home for a box of cigarettes; the balance he invested in a mysterious-looking tin can. The can was narrow and long and had a screw nozzle at one end. This can Cully saw him hide in a corner of his father's stable.

XII

CULLY'S NIGHT OUT

Ever since the night Cully, with the news of the hair-breadth

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Nada the Lily by H. Rider Haggard:

Umslopogaas. He said that when they stormed the cave he had seen a man run at a warrior in the cave to kill him. Then as he came, he who was about to be slain threw down the shield and cried for mercy, and Galazi knew that this was no warrior of the Halakazi, but a very beautiful girl. So he called to the man to let her alone and not to touch her, for the order was that no women should be killed. But the soldier, being made with the lust of fight, shouted that maid or man she should die, and slew her. Thereon, he--Galazi--in his wrath ran up and smote the man with the Watcher and killed him also, and he prayed that he had done no wrong.

"You have done well, my brother," said Umslopogaas. "Come now, some of


Nada the Lily
The third excerpt represents the future or something you must embrace, and is drawn from Essays of Francis Bacon by Francis Bacon:

the one, and destroy the other.

Of Custom

AND EDUCATION

MEN'S thoughts, are much according to their inclination; their discourse and speeches, according to their learning and infused opinions; but their deeds, are after as they have been accus- tomed. And therefore, as Machiavel well noteth (though in an evil-favored instance), there is no trusting to the force of nature, nor to the bravery of words, except it be corroborate by custom. His


Essays of Francis Bacon