| The first excerpt represents the past or something you must release, and is drawn from Marie by H. Rider Haggard: have nothing to do with what he called a "wager for money," and, except
myself, there was no one else present with sufficient scholarship to pen
a long document. Then we both signed them, Hernan Pereira not very
willingly, I thought; and if my recovery was sufficiently rapid, the
date was fixed for that day week. In case of any disagreement, the Heer
Retief, who was staying at Maraisfontein, or in its neighbourhood, for a
while, was appointed referee and stakeholder. It was also arranged that
neither of us should visit the appointed place, or shoot at the geese
before the match. Still we were at liberty to practise as much as we
liked at anything else in the interval and to make use of any kind of
rifle that suited us best.
 Marie |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from An Ideal Husband by Oscar Wilde: And I see you don't know where the spring is. It is rather difficult
to find.
MRS. CHEVELEY. You brute! You coward! [She tries again to unclasp
the bracelet, but fails.]
LORD GORING. Oh! don't use big words. They mean so little.
MRS. CHEVELEY. [Again tears at the bracelet in a paroxysm of rage,
with inarticulate sounds. Then stops, and looks at LORD GORING.]
What are you going to do?
LORD GORING. I am going to ring for my servant. He is an admirable
servant. Always comes in the moment one rings for him. When he
comes I will tell him to fetch the police.
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The third excerpt represents the future or something you must embrace, and is drawn from Night and Day by Virginia Woolf: wrote a note upon the fly-leaf of his book, which ran, "The situation
is becoming most uncomfortable." This he decorated with those
flourishes and decorative borders which grow of themselves upon these
occasions; and as he did so, he thought to himself that whatever
Katharine's difficulties might be, they did not justify her behavior.
She had spoken with a kind of brutality which suggested that, whether
it is natural or assumed, women have a peculiar blindness to the
feelings of men.
The penciling of this note gave Rodney time to recover himself.
Perhaps, for he was a very vain man, he was more hurt that Henry had
seen him rebuffed than by the rebuff itself. He was in love with
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