Tarot Runes I Ching Stichomancy Contact
Store Numerology Coin Flip Yes or No Webmasters
Personal Celebrity Biorhythms Bibliomancy Settings

Today's Stichomancy for Nelson Mandela

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Daisy Miller by Henry James:

"But I am afraid you are chaffing me."

"I think not, sir," remarked Mrs. Miller very gently.

"Do, then, let me give you a row," he said to the young girl.

"It's quite lovely, the way you say that!" cried Daisy.

"It will be still more lovely to do it."

"Yes, it would be lovely!" said Daisy. But she made no movement to accompany him; she only stood there laughing.

"I should think you had better find out what time it is," interposed her mother.

"It is eleven o'clock, madam," said a voice, with a foreign accent, out of the neighboring darkness; and Winterbourne, turning, perceived

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Life of the Spider by J. Henri Fabre:

tubular threads, rolled into twisted strings, and thus render the network sticky. It is sticky, in fact, and in such a way as to provoke surprise. I bring a fine straw flat down upon three or four rungs of a sector. However gentle the contact, adhesion is at once established. When I lift the straw, the threads come with it and stretch to twice or three times their length, like a thread of India-rubber. At last, when over-taut, they loosen without breaking and resume their original form. They lengthen by unrolling their twist, they shorten by rolling it again; lastly, they become adhesive by taking the glaze of the gummy moisture wherewith they are filled.


The Life of the Spider
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Marvelous Land of Oz by L. Frank Baum:

down into my legs."

But Tip had no breath to speak, so the Saw-Horse continued his wild career unchecked and with unabated speed.

Presently they came to the banks of a wide river, and without a pause the wooden steed gave one final leap and launched them all in mid-air.

A second later they were rolling, splashing and bobbing about in the water, the horse struggling frantically to find a rest for its feet and its riders being first plunged beneath the rapid current and then floating upon the surface like corks.

Line-Art Drawing

109 The Journey to the Tin Woodman


The Marvelous Land of Oz
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Long Odds by H. Rider Haggard:

not so much mind the risk. Scarcely had I got round when I heard the reeds parting before the onward rush of some animal. 'Now for it,' said I. On it came. I could see that it was yellow, and prepared for action, when instead of a lion out bounded a beautiful reit bok which had been lying in the shelter of the pan. It must, by the way, have been a reit bok of a peculiarly confiding nature to lay itself down with the lion, like the lamb of prophesy, but I suppose the reeds were thick, and that it kept a long way off.

"Well, I let the reit bok go, and it went like the wind, and kept my eyes fixed upon the reeds. The fire was burning like a furnace now; the flames crackling and roaring as they bit into the reeds, sending spouts


Long Odds