| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Common Sense by Thomas Paine: be any reason to hope, that as the relationship expires,
the affection will increase, or that we shall agree better,
when we have ten times more and greater concerns to quarrel over than ever?
Ye that tell us of harmony and reconciliation, can ye restore to us the
time that is past? Can ye give to prostitution its former innocence?
Neither can ye reconcile Britain and America. The last cord
now is broken, the people of England are presenting addresses against us.
There are injuries which nature cannot forgive; she would cease to be nature
if she did. As well can the lover forgive the ravisher of his mistress,
as the continent forgive the murders of Britain. The Almighty hath
implanted in us these unextinguishable feelings for good and wise purposes.
 Common Sense |
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Deserted Woman by Honore de Balzac: air; and he was willing to discern a kind of vegetable happiness in
days that brought no mental exertion and no responsibilities. The
constant stirring of the sap of life, the fertilizing influences of
mind on mind, after which he had sought so eagerly in Paris, were
beginning to fade from his memory, and he was in a fair way of
becoming a fossil with these fossils, and ending his days among them,
content, like the companions of Ulysses, in his gross envelope.
One evening Gaston de Nueil was seated between a dowager and one of
the vicars-general of the diocese, in a gray-paneled drawing-room,
floored with large white tiles. The family portraits which adorned the
walls looked down upon four card-tables, and some sixteen persons
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| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Letters of Two Brides by Honore de Balzac: it. These extravagant expressions of delight show me how great must
have been their fears beforehand. Louis has confided in me that he had
believed himself condemned to be childless. Poor fellow! he has all at
once developed very much, and he works even harder than he did. The
father in him has quickened his ambition.
For myself, dear soul, I grow happier and happier every moment. Each
hour creates a fresh tie between the mother and her infant. The very
nature of my feelings proves to me that they are normal, permanent,
and indestructible; whereas I shrewdly suspect love, for instance, of
being intermittent. Certainly it is not the same at all moments, the
flowers which it weaves into the web of life are not all of equal
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The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Twenty Years After by Alexandre Dumas: announced the king's arrival. A carriage had been sent to
meet him, and the gigantic Porthos, who stood a head above
the entire rabble, soon announced that he saw the royal
equipage approaching. D'Artagnan raised himself on tiptoe,
and as the carriage passed, saw Harrison at one window and
Mordaunt at the other.
The next day, Athos, leaning out of his window, which looked
upon the most populous part of the city, heard the Act of
Parliament, which summoned the ex-king, Charles I., to the
bar, publicly cried.
"Parliament indeed!" cried Athos. "Parliament can never have
 Twenty Years After |