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Today's Stichomancy for Nelson Mandela

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Beasts of Tarzan by Edgar Rice Burroughs:

where they stood looking backward, as though in expectation of the coming of others of their tribe. Jane wished that they would go on, for she knew that at any moment some little, eddying gust of wind might carry her scent down to their nostrils, and then what would the protection of her rifle amount to in the face of those gigantic muscles and mighty fangs?

Her eyes moved back and forth between the apes and the edge of the jungle toward which they were gazing until at last she perceived the object of their halt and the thing that they awaited. They were being stalked.


The Beasts of Tarzan
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Polity of Athenians and Lacedaemonians by Xenophon:

these poor people, this common folk, this riff-raff,[13] whose prosperity, combined with the growth of their numbers, enhances the democracy. Whereas, a shifting of fortune to the advantage of the wealthy and the better classes implies the establishment on the part of the commonalty of a strong power in opposition to itself. In fact, all the world over, the cream of society is in opposition to the democracy. Naturally, since the smallest amount of intemperance and injustice, together with the highest scrupulousness in the pursuit of excellence, is to be found in the ranks of the better class, while within the ranks of the People will be found the greatest amount of ignorance, disorderliness, rascality--poverty acting as a stronger

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Expression of Emotion in Man and Animals by Charles Darwin:

Mr. Weir concludes from his large experience that the erection of the feathers is caused much more by anger than by fear. He gives as an instance a hybrid goldfinch of a most irascible disposition, which when approached too closely by a servant, instantly assumes the appearance of a ball of ruffled feathers. He believes that birds when frightened, as a general rule, closely adpress all their feathers, and their consequently diminished size is often astonishing. As soon as they recover from their fear or surprise, the first thing which they do is to shake out their feathers. The best instances of this adpression of the feathers and apparent shrinking of the body from fear, which Mr. Weir has noticed, has been


Expression of Emotion in Man and Animals
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Goodness of St. Rocque and Other Stories by Alice Dunbar:

stood beetle-browed and huge in the small doorway.

"Get up from there," he muttered, "and open two dozen oysters right away; the Eliots want 'em." His English was unaccented. It was long since he had seen Italy.

She moved meekly behind the counter, and began work on the thick shells. Tony stretched his long neck up the street.

"Mr. Tony, mama wants some charcoal." The very small voice at his feet must have pleased him, for his black brows relaxed into a smile, and he poked the little one's chin with a hard, dirty finger, as he emptied the ridiculously small bucket of charcoal into the child's bucket, and gave a banana for lagniappe.


The Goodness of St. Rocque and Other Stories