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Today's Stichomancy for Nelson Mandela

The first excerpt represents the past or something you must release, and is drawn from Glinda of Oz by L. Frank Baum:

danger it was. The answer to her question was not very satisfactory, for it was only: "Ozma and Dorothy are prisoners in the great Dome of the Isle of the Skeezers, and the Dome is under the water of the lake."

"Hasn't Ozma the power to raise the island to the surface?" inquired Glinda.

"No," was the reply, and the Record refused to say more except that Queen Coo-ee-oh, who alone could command the island to rise, had been transformed by the Flathead Su-dic into a Diamond Swan.

Then Glinda consulted the past records of the


Glinda of Oz
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Finished by H. Rider Haggard:

know all the secrets of this land, that you may tell me in what place I may hide where the white men cannot find me. It must be told into my ear alone, since I dare not trust the matter to any other, at any rate until I must. They are traitors every man of them, yes, even those who seem to be most faithful. The fallen man has no friends, least of all if he chances to be a king. Only the dead will keep his counsel. Tell me of the place I need."

"Dingaan, who was before you, once asked this same thing of me, O King, when he was flying from Panda your father, and the Boers. I gave him advice that he did not take, but sought a refuge of

The third excerpt represents the future or something you must embrace, and is drawn from The Fall of the House of Usher by Edgar Allan Poe:

belief, however, was connected (as I have previously hinted) with the gray stones of the home of his forefathers. The conditions of the sentience had been here, he imagined, fulfilled in the method of collocation of these stones--in the order of their arrangement, as well as in that of the many fungi which overspread them, and of the decayed trees which stood around-- above all, in the long undisturbed endurance of this arrangement, and in its reduplication in the still waters of the tarn. Its evidence--the evidence of the sentience--was to be seen, he said, (and I here started as he spoke,) in the gradual yet certain condensation of an atmosphere of their own about the waters and


The Fall of the House of Usher