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Today's Stichomancy for Nelson Mandela

The first excerpt represents the past or something you must release, and is drawn from Salammbo by Gustave Flaubert:

employed, took a horn full of balm, and after holding it near the coals inclined it over his robe. A brown spot appeared; it was a fraud. Then he gazed fixedly at the Chief of the Odours, and without saying anything flung the gazelle's horn full in his face.

However indignant he might be at adulterations made to his own prejudice, when he perceived some parcels of nard which were being packed up for countries beyond the sea, he ordered antimony to be mixed with it so as to make it heavier.

Then he asked where three boxes of psagdas designed for his own use were to be found.

The Chief of the Odours confessed that he did not know; some soldiers


Salammbo
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Rivers to the Sea by Sara Teasdale:

The hushed and terrible sob Of all humanity.

Then I said, "Oh who am I To scorn God to his face? I will bow my head and stay And suffer with my race."

GIFTS

I GAVE my first love laughter, I gave my second tears, I gave my third love silence Thru all the years.

The third excerpt represents the future or something you must embrace, and is drawn from Juana by Honore de Balzac:

contract, a trust, was a thing of the heart, and God its supreme judge. After stating the miseries of her position to Dona Lagounia, she confided her daughter and her daughter's fortune to the fine old Spanish honor, pure and spotless, which filled the precincts of that ancient house. Dona Lagounia had no child, and she was only too happy to obtain one to nurture. The mother then parted from her Juana, convinced that the child's future was safe, and certain of having found her a mother, a mother who would bring her up as a Mancini, and not as a Marana.

Leaving her child in the simple modest house of the merchant where the burgher virtues reigned, where religion and sacred sentiments and