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Today's Stichomancy for Nicholas Copernicus

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from End of the Tether by Joseph Conrad:

irreducible minimum, in a world that was able to count its disengaged tonnage twice over every day, and in which lean charters were snapped up by cable three months in advance, there were no chances of fortune for an individual wandering haphazard with a little bark --hardly indeed any room to exist.

He found it more difficult from year to year. He suf- fered greatly from the smallness of remittances he was able to send his daughter. Meantime he had given up good cigars, and even in the matter of inferior cheroots limited himself to six a day. He never told her of his


End of the Tether
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Water-Babies by Charles Kingsley:

Hares' ears. Starvation. Camphor. Salts and senna. Musk. Opium. Strait-waistcoats. Bullyings. Bumpings. Bleedings. Bucketings with cold water.

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Cousin Betty by Honore de Balzac:

are neither betrayed nor cheated, and you ought to be very happy to see him so well married; he is now fairly afloat. And, at any rate, your day is over. Our artist goes to Madame Hulot's every evening as soon as you go out to dinner."

"Adeline!" muttered Lisbeth. "Oh, Adeline, you shall pay for this! I will make you uglier than I am."

"You are as pale as death!" exclaimed Valerie. "There is something wrong?--Oh, what a fool I am! The mother and daughter must have suspected that you would raise some obstacles in the way of this affair since they have kept it from you," said Madame Marneffe. "But if you did not live with the young man, my dear, all this is a greater

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Scarlet Pimpernel by Baroness Emmuska Orczy:

This was promptly and quietly done. The masked man having taken possession of all the papers, listened for a moment or two if there were any sound within "The Fisherman's Rest." Evidently satisfied that this dastardly outrage had remained unheard, he once more opened the door and pointed peremptorily down the passage. The four men lifted Sir Andrew and Lord Antony from the ground, and as quietly, as noiselessly as they had come, they bore the two pinioned young gallants out of the inn and along the Dover Road into the gloom beyond.

In the coffee-room the masked leader of this daring attempt was quickly glancing through the stolen papers.


The Scarlet Pimpernel