| The first excerpt represents the past or something you must release, and is drawn from A Kidnapped Santa Claus by L. Frank Baum: "We must go back at once and find our master," said Nuter the Ryl, who
thought and spoke with much deliberation.
"No, no!" exclaimed Peter the Knook, who, cross and crabbed though he
was, might always be depended upon in an emergency. "If we delay, or
go back, there will not be time to get the toys to the children before
morning; and that would grieve Santa Claus more than anything else."
"It is certain that some wicked creatures have captured him," added
Kilter thoughtfully, "and their object must be to make the children
unhappy. So our first duty is to get the toys distributed as
carefully as if Santa Claus were himself present. Afterward we
can search for our master and easily secure his freedom."
 A Kidnapped Santa Claus |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Before Adam by Jack London: slept at night in the connecting passage of the double
cave.
And with our coming to live with the horde came
trouble. Red-Eye had had I don't know how many wives
since the Singing One. She had gone the way of the
rest. At present he had a little, soft, spiritless
thing that whimpered and wept all the time, whether he
beat her or not; and her passing was a question of very
little time. Before she passed, even, Red-Eye set his
eyes on the Swift One; and when she passed, the
persecution of the Swift One began.
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The third excerpt represents the future or something you must embrace, and is drawn from The Hidden Masterpiece by Honore de Balzac: passage by the ship. It is a masterpiece, painted for Marie de
Medicis, and afterwards sold by her in the days of her distress.
"I like your saint," said the old man to Porbus, "and I will give you
ten golden crowns over and above the queen's offer; but as to entering
into competition with her--the devil!"
"You do like her, then?"
"As for that," said the old man, "yes, and no. The good woman is well
set-up, but--she is not living. You young men think you have done all
when you have drawn the form correctly, and put everything in place
according to the laws of anatomy. You color the features with flesh-
tones, mixed beforehand on your palette,--taking very good care to
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