| The first excerpt represents the past or something you must release, and is drawn from Anthem by Ayn Rand: There is a hedge along the road, and beyond the
hedge lie the fields. The fields are black
and ploughed, and they lie like a great
fan before us, with their furrows gathered
in some hand beyond the sky, spreading
forth from that hand, opening wide apart
as they come toward us, like black pleats
that sparkle with thin, green spangles.
Women work in the fields, and their white
tunics in the wind are like the wings of
sea-gulls beating over the black soil.
 Anthem |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Mirror of the Sea by Joseph Conrad: between right and wrong in the face of natural forces, whose
standard, naturally, is that of might alone. But, of course, I
said nothing. For a man caught, as it were, between his skipper
and the great West Wind silence is the safest sort of diplomacy.
Moreover, I knew my skipper. He did not want to know what I
thought. Shipmasters hanging on a breath before the thrones of the
winds ruling the seas have their psychology, whose workings are as
important to the ship and those on board of her as the changing
moods of the weather. The man, as a matter of fact, under no
circumstances, ever cared a brass farthing for what I or anybody
else in his ship thought. He had had just about enough of it, I
 The Mirror of the Sea |
The third excerpt represents the future or something you must embrace, and is drawn from The Alkahest by Honore de Balzac: scrupulous cleanliness, possessing nothing that did not serve the
purposes of true comfort, supplying her table with the choicest food,
and putting everything within those walls into harmony with the life
of her heart.
The pair had two sons and two daughters. The eldest, Marguerite, was
born in 1796. The last child was a boy, now three years old, named
Jean-Balthazar. The maternal sentiment in Madame Claes was almost
equal to her love for her husband; and there rose in her soul,
especially during the last days of her life, a terrible struggle
between those nearly balanced feelings, of which the one became, as it
were, an enemy of the other. The tears and the terror that marked her
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