|The first excerpt represents the past or something you must release, and is drawn from Resurrection by Leo Tolstoy:
Nekhludoff walked faster than she did and, involuntarily, also
looked her in the face. The face, which was probably painted, was
handsome, and the woman looked at him with a smile and her eyes
sparkled. And, curiously enough, Nekhludoff was suddenly reminded
of Mariette, because he again felt both attracted and disgusted
just as when in the theatre.
Having hurriedly passed her, Nekhludoff turned off on to the
Morskaya, and passed on to the embankment, where, to the surprise
of a policeman, he began pacing up and down the pavement.
"The other one gave me just such a smile when I entered the
theatre," he thought, "and the meaning of the smile was the same.
|The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Princess by Alfred Tennyson:
'The fifth in line from that old Florian,
Yet hangs his portrait in my father's hall
(The gaunt old Baron with his beetle brow
Sun-shaded in the heat of dusty fights)
As he bestrode my Grandsire, when he fell,
And all else fled? we point to it, and we say,
The loyal warmth of Florian is not cold,
But branches current yet in kindred veins.'
'Are you that Psyche,' Florian added; 'she
With whom I sang about the morning hills,
Flung ball, flew kite, and raced the purple fly,
|The third excerpt represents the future or something you must embrace, and is drawn from Adieu by Honore de Balzac:
General Philippe de Sucy was thought in the social world to be a very
agreeable man, and above all a very gay one. A few days ago, a lady
complimented him on his good humor, and the charming equability of his
"Ah! madame," he said, "I pay dear for my liveliness in my lonely
"Are you ever alone?" she said.
"No," he replied smiling.
If a judicious observer of human nature could have seen at that moment
the expression on the Comte de Sucy's face, he would perhaps have