|The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Silas Marner by George Eliot:
'ud mayhap take the parson to tell that, and he could only tell us
i' big words. But what come to me as clear as the daylight, it was
when I was troubling over poor Bessy Fawkes, and it allays comes
into my head when I'm sorry for folks, and feel as I can't do a
power to help 'em, not if I was to get up i' the middle o' the night--
it comes into my head as Them above has got a deal tenderer heart
nor what I've got--for I can't be anyways better nor Them as made
me; and if anything looks hard to me, it's because there's things I
don't know on; and for the matter o' that, there may be plenty o'
things I don't know on, for it's little as I know--that it is.
And so, while I was thinking o' that, you come into my mind, Master
|The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The White Moll by Frank L. Packard:
another five minutes she meant to invite attention!
She pushed the door in front of her open, found it hung with a heavy
portiere inside, brushed the portiere aside, stepped through into
the room, stood still and motionless to listen once more, and then
the flashlight circled inquisitively about her.
It was the library. Her eyes widened a little. At her left, over
against the wall, the mangled door of a safe stood wide open, and
the floor for a radius of yards around was littered with papers and
documents. The flashlight's ray lifted, and she followed it with
her eyes as it made the circuit of the walls. Opposite the safe,
and quite near the doorway in which she stood, was a window recess,
|The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Tanglewood Tales by Nathaniel Hawthorne:
upon the Argonauts. These feathers were the steel-headed arrows
that had so tormented them. There was no possibility of making
any resistance; and the fifty heroic Argonauts might all have
been killed or wounded by a flock of troublesome birds, without
ever setting eyes on the Golden Fleece, if Jason had not
thought of asking the advice of the oaken image.
So he ran to the galley as fast as his legs would carry him.
"O, daughter of the Speaking Oak," cried he, all out of breath,
"we need your wisdom more than ever before! We are in great
peril from a flock of birds, who are shooting us with their
steel-pointed feathers. What can we do to drive them away?"
|The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Night and Day by Virginia Woolf:
"really too bad for words." She used to paste these into books, or
send them to her friends, having first drawn a broad bar in blue
pencil down the margin, a proceeding which signified equally and
indistinguishably the depths of her reprobation or the heights of her
About four o'clock on that same afternoon Katharine Hilbery was
walking up Kingsway. The question of tea presented itself. The street
lamps were being lit already, and as she stood still for a moment
beneath one of them, she tried to think of some neighboring
drawing-room where there would be firelight and talk congenial to her
mood. That mood, owing to the spinning traffic and the evening veil of