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Today's Stichomancy for Nick Nolte

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Complete Poems of Longfellow by Henry Wadsworth Longfellow:

And you stoop a little in the shoulder!

HUBERT. Alack! I am a poor old sinner, And, like these towers, begin to moulder; And you have been absent many a year!

WALTER. How is the Prince?

HUBERT. He is not here; He has been ill: and now has fled.

WALTER.

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Early Short Fiction of Edith Wharton by Edith Wharton:

"But doesn't this suit worry you? Why have you never spoken to me about it?"

He answered both questions at once: "I didn't speak of it at first because it DID worry me--annoyed me, rather. But it's all ancient history now. Your correspondent must have got hold of a back number of the 'Sentinel.'"

She felt a quick thrill of relief. "You mean it's over? He's lost his case?"

There was a just perceptible delay in Boyne's reply. "The suit's been withdrawn--that's all."

But she persisted, as if to exonerate herself from the inward

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Allan Quatermain by H. Rider Haggard:

ground on the hilltop, around which are the dwelling-places of the priests) is built in the shape of a sunflower, with a dome-covered central hall, from which radiate twelve petal-shaped courts, each dedicated to one of the twelve months, and serving as the repositories of statues reared in memory of the illustrious dead. The width of the circle beneath the dome is three hundred feet, the height of the dome is four hundred feet, and the length of the rays is one hundred and fifty feet, and the height of their roofs three hundred feet, so that they run into the central dome exactly as the petals of the sunflower run into the great raised heart. Thus the exact measurement from the centre of the central


Allan Quatermain
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Aeroplanes and Dirigibles of War by Frederick A. Talbot:

the propeller output is of the maximum efficiency in relation to the engine, the pitch of the propellers may be altered and even reversed while the engine is running. When one motor only is being used, the pitch is lowered until the propellers revolve at the speed which they would attain if both engines were in operation. This adjustment of the propeller pitch to the most economical engine revolutions is a distinctive characteristic, and contributes to the efficiency and reliability of the Parseval dirigible to a very pronounced degree.

Steering in the vertical plane is also carried out upon distinctive lines. There are no planes for vertical steering,