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Today's Stichomancy for Nick Nolte

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from La Grande Breteche by Honore de Balzac:

gossip and that of Madame Lepas, as precisely as the middle term of a rule-of-three sum stands between the first and third, I have only to relate it in as few words as may be. I shall therefore be brief.

"The room at la Grande Breteche in which Madame de Merret slept was on the ground floor; a little cupboard in the wall, about four feet deep, served her to hang her dresses in. Three months before the evening of which I have to relate the events, Madame de Merret had been seriously ailing, so much so that her husband had left her to herself, and had his own bedroom on the first floor. By one of those accidents which it is impossible to foresee, he came in that evening two hours later than usual from the club, where he went to read the papers and talk


La Grande Breteche
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Wife, et al by Anton Chekhov:

down by her and said with a honeyed smile:

" 'The Little Russian reminds one of the ancient Greek in its softness and agreeable resonance.'

"That flattered her, and she began telling him with feeling and earnestness that they had a farm in the Gadyatchsky district, and that her mamma lived at the farm, and that they had such pears, such melons, such _kabaks_! The Little Russians call pumpkins _kabaks_ (i.e., pothouses), while their pothouses they call _shinki_, and they make a beetroot soup with tomatoes and aubergines in it, 'which was so nice -- awfully nice!'

"We listened and listened, and suddenly the same idea dawned upon

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Mysterious Island by Jules Verne:

above the cascade; and his compass in his hand, Cyrus Harding led the way.

The forest here was composed for the most part of trees which had already been met with near the lake and on Prospect Heights. There were deodars, Douglas firs, casuarinas, gum trees, eucalypti, hibiscus, cedars, and other trees, generally of a moderate size, for their number prevented their growth.

Since their departure, the settlers had descended the slopes which constituted the mountain system of the island, on to a dry soil, but the luxuriant vegetation of which indicated it to be watered either by some subterranean marsh or by some stream. However, Cyrus Harding did not remember having seen, at the time of his excursion to the crater, any other


The Mysterious Island
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Insidious Dr. Fu-Manchu by Sax Rohmer:

We took a path that led directly to the river bank. Before us lay the gray expanse of water, and out upon it moved the busy shipping of the great mercantile city. But this life of the river seemed widely removed from us. The lonely spot where we stood had no kinship with human activity. Its dreariness illuminated by the brilliant moon, it looked indeed a fit setting for an act in such a drama as that wherein we played our parts. When I had lain in the East End opium den, when upon such another night as this I had looked out upon a peaceful Norfolk countryside, the same knowledge of aloofness, of utter detachment from the world of living men, had come to me.


The Insidious Dr. Fu-Manchu