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Today's Stichomancy for Nicolas Cage

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Beyond Good and Evil by Friedrich Nietzsche:

greater part of conscious thinking must be counted among the instinctive functions, and it is so even in the case of philosophical thinking; one has here to learn anew, as one learned anew about heredity and "innateness." As little as the act of birth comes into consideration in the whole process and procedure of heredity, just as little is "being-conscious" OPPOSED to the instinctive in any decisive sense; the greater part of the conscious thinking of a philosopher is secretly influenced by his instincts, and forced into definite channels. And behind all logic and its seeming sovereignty of movement, there are valuations, or to speak more plainly, physiological


Beyond Good and Evil
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Thuvia, Maid of Mars by Edgar Rice Burroughs:

to collide with some other night wanderer in the meanwhile."

Carthoris smiled. "No danger of that," he replied. "See here," and he indicated a device at the right of the destination compass. "This is my `obstruction evader,' as I call it. This visible device is the switch which throws the mechanism on or off. The instrument itself is below deck, geared both to the steering apparatus and the control levers.

"It is quite simple, being nothing more than a radium generator diffusing radio-activity in all directions to a distance of a hundred yards or so from the flier. Should this enveloping force be interrupted in any direction a


Thuvia, Maid of Mars
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Divine Comedy (translated by H.F. Cary) by Dante Alighieri:

Hath measur'd. From his banks bring, I this frame. To tell you who I am were words misspent: For yet my name scarce sounds on rumour's lip." "If well I do incorp'rate with my thought The meaning of thy speech," said he, who first Addrest me, "thou dost speak of Arno's wave." To whom the other: "Why hath he conceal'd The title of that river, as a man Doth of some horrible thing?" The spirit, who Thereof was question'd, did acquit him thus: "I know not: but 'tis fitting well the name


The Divine Comedy (translated by H.F. Cary)
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Twenty Years After by Alexandre Dumas:

which he took the greatest care; and throwing on one side the large kid gloves tried on at first, as belonging to the uniform, he put on others of silk only. At this instant the door opened.

"Monsieur d'Artagnan," said the valet-de-chambre.

An officer, as he spoke, entered the apartment. He was a man between thirty-nine and forty years of age, of medium height but a very well proportioned figure; with an intellectual and animated physiognomy; his beard black, and his hair turning gray, as often happens when people have found life either too gay or too sad, more especially when they happen


Twenty Years After