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Today's Stichomancy for Nicolas Cage

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Verses 1889-1896 by Rudyard Kipling:

We never got a ha'porth's change of 'im: 'E squatted in the scrub an' 'ocked our 'orses, 'E cut our sentries up at Sua~kim~, An' 'e played the cat an' banjo with our forces. So 'ere's ~to~ you, Fuzzy-Wuzzy, at your 'ome in the Soudan; You're a pore benighted 'eathen but a first-class fightin' man; We gives you your certificate, an' if you want it signed We'll come an' 'ave a romp with you whenever you're inclined. We took our chanst among the Khyber 'ills, The Boers knocked us silly at a mile,


Verses 1889-1896
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Pivot of Civilization by Margaret Sanger:

history of this globe establish a true equilibrium and ``balance of power'' in the relation of the sexes. The old antagonism will have disappeared, the old ill-concealed warfare between men and women. For the men themselves will comprehend that in this cultivation of the human garden they will be rewarded a thousand times. Interest in the vague sentimental fantasies of extra-mundane existence, in pathological or hysterical flights from the realities of our earthliness, will have through atrophy disappeared, for in that dawn men and women will have come to the realization, already suggested, that here close at hand is our paradise, our everlasting abode, our Heaven and our eternity. Not by leaving it and our essential humanity

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Love Songs by Sara Teasdale:

Yet these are wealth enough for me; My thoughts of you are golden coins Stamped in the mint of memory;

And I must spend them all in song, For thoughts, as well as gold, must be Left on the hither side of death To gain their immortality.

Dusk in War Time

A half-hour more and you will lean To gather me close in the old sweet way -- But oh, to the woman over the sea

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Out of Time's Abyss by Edgar Rice Burroughs:

There was no feinting, no retiring and no parrying that was not also an attack. Bayonet-fighting today is not a pretty thing to see--it is not an artistic fencing-match in which men give and take--it is slaughter inevitable and quickly over.

Dietz lunged once madly at Olson's throat. A short point, with just a twist of the bayonet to the left sent the sharp blade over the Englishman's left shoulder. Instantly he stepped close in, dropped his rifle through his hands and grasped it with both hands close below the muzzle and with a short, sharp jab sent his blade up beneath Dietz's chin to the brain. So quickly was the thing done and so quick the withdrawal that Olson had wheeled to


Out of Time's Abyss