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Today's Stichomancy for Nicole Kidman

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Crisis in Russia by Arthur Ransome:

industries, on transport, on the general situation and so again

on itself.

Mr. J. M. Keynes, writing with Central Europe in his mind (he is, I think, as ignorant of Russia as I am of Germany), says: "What then is our picture of Europe? A country population able to support life on the fruits of its own agricultural production, but without the accustomed surplus for the towns, and also (as a result of the lack of imported materials, and so of variety and amount in the salable manufactures of the towns) without the usual incentives to market food in exchange for other wares; an

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Gettysburg Address by Abraham Lincoln:

But, in a larger sense, we cannot dedicate. . .we cannot consecrate. . . we cannot hallow this ground. The brave men, living and dead, who struggled here have consecrated it, far above our poor power to add or detract. The world will little note, nor long remember, what we say here, but it can never forget what they did here.

It is for us the living, rather, to be dedicated here to the unfinished work which they who fought here have thus far so nobly advanced. It is rather for us to be here dedicated to the great task remaining before us. . .that from these honored dead we take increased devotion to that cause for which they gave the last full measure of devotion. . . that we here highly resolve that these dead shall not have died in vain. . .

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Memories and Portraits by Robert Louis Stevenson:

and to hear the singing of the psalms, "the chapters," the inevitable Spurgeon's sermon, and the old, eloquent lighthouse prayer.

In fine weather, when by the spy-glass on the hill the sea was observed to run low upon the reef, there would be a sound of preparation in the very early morning; and before the sun had risen from behind Ben More, the tender would steam out of the bay. Over fifteen sea-miles of the great blue Atlantic rollers she ploughed her way, trailing at her tail a brace of wallowing stone-lighters. The open ocean widened upon either board, and the hills of the mainland began to go down on the horizon, before she came to her

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from In Darkest England and The Way Out by General William Booth:

Thou dost really exist why dost Thou let us be slaves? We ask not for food or clothing, for we live on snakes, ants, and mice. Thou hast made us, wherefore dost Thou let us be trodden down?"

It is a terrible picture, and one that has engraved itself deep on the heart of civilisation. But while brooding over the awful presentation of life as it exists in the vast African forest, it seemed to me only too vivid a picture of many parts of our own land. As there is a darkest Africa is there not also a darkest England? Civilisation, which can breed its own barbarians, does it not also breed its own pygmies? May we not find a parallel at our own doors, and discover within a stone's throw of our cathedrals and palaces similar horrors to


In Darkest England and The Way Out