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Today's Stichomancy for Nicole Kidman

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from A Voyage to Abyssinia by Father Lobo:

deliverer. At first nothing was able to stand before the valour of the Portuguese, the Moors were driven from one mountain to another, and were dislodged even from those places, which it seemed almost impossible to approach, even unmolested by the opposition of an enemy.

These successes seemed to promise a more happy event than that which followed them. It was now winter, a season in which, as the reader hath been already informed, it is almost impossible to travel in Aethiopia. The Portuguese unadvisedly engaged themselves in an enterprise, to march through the whole country, in order to join the Emperor, who was then in the most remote part of his dominions.

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Dream-Quest of Unknown Kadath by H. P. Lovecraft:

Great Ones. You have dreamed too well, O wise arch-dreamer, for you have drawn dream's gods away from the world of all men's visions to that which is wholly yours; having builded out of your boyhood's small fancies a city more lovely than all the phantoms that have gone before. "It is not well that earth's gods leave their thrones for the spider to spin on, and their realm for the Others to sway in the dark manner of Others. Fain would the powers from outside bring chaos and horror to you, Randolph Carter, who are the cause of their upsetting, but that they know it is by you alone that the gods may be sent back to their world. In that half-waking


The Dream-Quest of Unknown Kadath
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Firm of Nucingen by Honore de Balzac:

--At four o'clock the women took flight for the Bois de Boulogne; Rastignac stayed in the room and looked out of the window, fixing his melancholy gaze upon Toby Joby Paddy, who stood, his arms crossed in Napoleonic fashion, audaciously posted in front of Beaudenord's cab horse. The child could only control the animal with his shrill little voice, but the horse was afraid of Joby Toby.

" 'Well,' began Godefroid, 'what is the matter with you, my dear fellow? You look gloomy and anxious; your gaiety is forced. You are tormented by incomplete happiness. It is wretched, and that is a fact, when one cannot marry the woman one loves at the mayor's office and the church.'

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Symposium by Plato:

creation. The traces of the existence of love, as of number and figure, were everywhere discerned; and in the Pythagorean list of opposites male and female were ranged side by side with odd and even, finite and infinite.

But Plato seems also to be aware that there is a mystery of love in man as well as in nature, extending beyond the mere immediate relation of the sexes. He is conscious that the highest and noblest things in the world are not easily severed from the sensual desires, or may even be regarded as a spiritualized form of them. We may observe that Socrates himself is not represented as originally unimpassioned, but as one who has overcome his passions; the secret of his power over others partly lies in his passionate but self-controlled nature. In the Phaedrus and Symposium love is not