Today's Stichomancy for Nicole Kidman

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from My Aunt Margaret's Mirror by Walter Scott:

followed in silence, and arm in arm. Two or three low broad steps led to a platform in front of the altar, or what resembled such. Here the sage took his stand, and placed the ladies beside him, once more earnestly repeating by signs his injunctions of silence. The Italian then, extending his bare arm from under his linen vestment, pointed with his forefinger to five large flambeaux, or torches, placed on each side of the altar. They took fire successively at the approach of his hand, or rather of his finger, and spread a strong light through the room. By this the visitors could discern that, on the seeming altar, were disposed two naked swords laid crosswise; a large open book,

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Riverman by Stewart Edward White:

constitution necessitated its standing in the hall. Nevertheless, Carroll had great comfort from it. While Orde was away at the office, she whispered through its mellow strings her great happiness, the dreams for her young motherhood which would come in the summer, the vague and lingering pain over the hapless but beloved ones she had left behind her in her other life. Then she arose refreshed, and went about the simple duties of her tiny domain.

The winter was severe. All the world was white. The piles of snow along the sidewalks grew until Carroll could hardly look over them. Great fierce winds swept in from the lake. Sometimes Orde and his

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Phantasmagoria and Other Poems by Lewis Carroll:

Deep be it quaffed, the magic draught That fills the soul with golden fancies! For Youth and Pleasance will not stay, And ye are withered, worn, and gray. Ah, well-a-day!

O fair cold face! O form of grace, For human passion madly yearning! O weary air of dumb despair, From marble won, to marble turning! "Leave us not thus!" we fondly pray. "We cannot let thee pass away!"

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Massimilla Doni by Honore de Balzac:

brought him at last into the Canareggio, to the door of a wonderful palazzo, which you will admire when you see Venice, for no traveler ever fails to stop in front of those windows, each of a different design, vying with each other in fantastic ornament, with balconies like lace-work; to study the corners finishing in tall and slender twisted columns, the string-courses wrought by so inventive a chisel that no two shapes are alike in the arabesques on the stones.

How charming is that doorway! how mysterious the vaulted arcade leading to the stairs! Who could fail to admire the steps on which ingenious art has laid a carpet that will last while Venice stands,--a carpet as rich as if wrought in Turkey, but composed of marbles in