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Today's Stichomancy for Nicole Kidman

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Large Catechism by Dr. Martin Luther:

Thus you see that in this petition we pray just for that which God demands in the Second Commandment; namely, that His name be not taken in vain to swear, curse, lie, deceive, etc., but be usefully employed to the praise and honor of God. For whoever employs the name of God for any sort of wrong profanes and desecrates this holy name, as aforetime a church was considered desecrated when a murder or any other crime had been committed in it, or when a pyx or relic was desecrated, as being holy in themselves, yet become unholy in use. Thus this point is easy and clear if only the language is understood, that to hallow is the same as in our idiom to praise, magnify, and honor both in word and deed.

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Summer by Edith Wharton:

fears. He glanced about the room, uttered a general "How are you?" to which no one responded, and then asked the younger woman if they might take shelter till the storm was over.

She turned her eyes away from him and looked at Charity.

"You're the girl from Royall's, ain't you?"

The colour rose in Charity's face. "I'm Charity Royall," she said, as if asserting her right to the name in the very place where it might have been most open to question.

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from A Collection of Beatrix Potter by Beatrix Potter:

crash, and there were handfuls of Mr. Tod's sandy whiskers.

The vases fell off the mantelpiece, the canisters fell off the shelf; the kettle fell off the hob. Tommy Brock put his foot in a jar of raspberry Jam.

And the boiling water out of the kettle fell upon the tail of Mr. Tod.

When the kettle fell, Tommy Brock, who was still grinning,

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Exiles by Honore de Balzac:

Doctor of Mystical Theology of the University of Paris, was mounting his pulpit in a spacious low room on a level with the street. The cold stones were strewn with clean straw, on which several of his disciples knelt on one knee, writing on the other, to enable them to take notes from the Master's improvised discourse, in the shorthand abbreviations which are the despair of modern decipherers.

The hall was full, not of students only, but of the most distinguished men belonging to the clergy, the court, and the legal faculty. There were some learned foreigners, too--soldiers and rich citizens. The broad faces were there, with prominent brows and venerable beards, which fill us with a sort of pious respect for our ancestors when we