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Today's Stichomancy for Nicole Kidman

The first excerpt represents the past or something you must release, and is drawn from Facino Cane by Honore de Balzac:

child, this much is certain, my mother during her pregnancy had a passion for gold, and I am the victim of a monomania, of a craving for gold which must be gratified. Gold is so much of a necessity of life for me, that I have never been without it; I must have gold to toy with and finger. As a young man I always wore jewelry, and I carried two or three hundred ducats about me wherever I went."

He drew a couple of gold coins from his pocket and showed them to me as he spoke.

"I can tell by instinct when gold is near. Blind as I am, I stop before a jeweler's shop windows. That passion was the ruin of me; I took to gambling to play with gold. I was not a cheat, I was cheated,

The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Smalcald Articles by Dr. Martin Luther:

thing, fabricated and invented without the will and Word of God.

Fourthly. Since such innumerable and unspeakable abuses have arisen in the whole world from the buying and selling of masses, the Mass should by right be relinquished, if for no other purpose than to prevent abuses, even though in itself it had something advantageous and good. How much more ought we to relinquish it, so as to prevent [escape] forever these horrible abuses, since it is altogether unnecessary, useless, and dangerous, and we can obtain everything by a more necessary, profitable, and certain way without the Mass.

The third excerpt represents the future or something you must embrace, and is drawn from The Secrets of the Princesse de Cadignan by Honore de Balzac:

eyes and scanty, chestnut hair. But whatever there once was of ardent and noble ambition in the great author's eyes had been somewhat quenched by successes. The thoughts with which that brow once teemed had flowered; the lines of the hollow face were filling out. Ease now spread its golden tints where, in youth, poverty had laid the yellow tones of the class of temperament whose forces band together to support a crushing and long-continued struggle. If you observe carefully the noble faces of ancient philosophers, you will always find those deviations from the type of a perfect human face which show the characteristic to which each countenance owes its originality, chastened by the habit of meditation, and by the calmness necessary