Today's Stichomancy for Niels Bohr

"'Have you mended the hole in the roof yet, little Hans?' cried the Miller in a cheery voice.

"'It is quite mended,' answered little Hans, coming down the ladder.

"'Ah'! said the Miller, 'there is no work so delightful as the work one does for others.'

"'It is certainly a great privilege to hear you talk,' answered little Hans, sitting down, and wiping his forehead, 'a very great privilege. But I am afraid I shall never have such beautiful ideas as you have.'

"'Oh! they will come to you,' said the Miller, 'but you must take

the fellow was a future great sculptor and perfectly harmless; but he had been swallowing lots of night air which had got into his head apparently.

Mills peered at me with his friendly but awfully searching blue eyes through the cloud of smoke he had wreathed about his big head. The slim, dark Captain's smile took on an amiable expression. Might he know why I was addressed as "Young Ulysses" by my friend? and immediately he added the remark with urbane playfulness that Ulysses was an astute person. Mills did not give me time for a reply. He struck in: "That old Greek was famed as a wanderer - the first historical seaman." He waved his pipe vaguely at me.

The Arrow of Gold

illumined by flashes of lightning. As a writer he has mastered everything except language: as a novelist he can do everything, except tell a story: as an artist he is everything except articulate. Somebody in Shakespeare - Touchstone, I think - talks about a man who is always breaking his shins over his own wit, and it seems to me that this might serve as the basis for a criticism of Meredith's method. But whatever he is, he is not a realist. Or rather I would say that he is a child of realism who is not on speaking terms with his father. By deliberate choice he has made himself a romanticist. He has refused to bow the knee to Baal, and after all, even if the man's fine spirit did not revolt against the

and a pause, from the floor under us: the next, thud--thud-- thud--it came apparently from the wall.

"It's not a ghost," I said decidedly. "If it was a ghost it wouldn't rap: it would come through the keyhole." Liddy looked at the keyhole. "But it sounds very much as though some one is trying to break into the house."

Liddy was shivering violently. I told her to get me my slippers and she brought me a pair of kid gloves, so I found my things myself, and prepared to call Halsey. As before, the night alarm had found the electric lights gone: the hall, save for its night lamp, was in darkness, as I went across to Halsey's room. I

The Circular Staircase