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Today's Stichomancy for Niels Bohr

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Rescue by Joseph Conrad:

know? It seems to me you are making trouble for yourself as fast as you can."

"Well, supposing I am," said Lingard with sudden gloominess. "Would your men fight if I armed them properly?"

"What--for you or for themselves?" asked Carter.

"For the woman," burst out Lingard. "You forget there's a woman on board. I don't care THAT for their carcases."

Carter pondered conscientiously.

"Not to-night," he said at last. "There's one or two good men amongst them, but the rest are struck all of a heap. Not to-night. Give them time to get steady a bit if you want them to


The Rescue
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Octopus by Frank Norris:

thoughtful, and without articulate comment. Even after it passed he sat in his place a long time, watching it lose itself slowly in the distance, its prolonged rumble diminishing to a faint murmur. Soon he heard the engine sounding its whistle for the Long Trestle.

But the moving train no longer carried with it that impression of terror and destruction that had so thrilled Presley's imagination the night before. It passed slowly on its way with a mournful roll of wheels, like the passing of a cortege, like a file of artillery-caissons charioting dead bodies; the engine's smoke enveloping it in a mournful veil, leaving a sense of melancholy

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from De Profundis by Oscar Wilde:

just as love in the artist is simply the sense of beauty that reveals to the world its body and its soul. In MARIUS THE EPICUREAN Pater seeks to reconcile the artistic life with the life of religion, in the deep, sweet, and austere sense of the word. But Marius is little more than a spectator: an ideal spectator indeed, and one to whom it is given 'to contemplate the spectacle of life with appropriate emotions,' which Wordsworth defines as the poet's true aim; yet a spectator merely, and perhaps a little too much occupied with the comeliness of the benches of the sanctuary to notice that it is the sanctuary of sorrow that he is gazing at.

I see a far more intimate and immediate connection between the true

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from King Henry VI by William Shakespeare:

And not a thought but thinks on dignity. My brain more busy than the labouring spider Weaves tedious snares to trap mine enemies. Well, nobles, well, 't is politicly done, To send me packing with an host of men; I fear me you but warm the starved snake, Who, cherish'd in your breasts, will sting your hearts. 'T was men I lack'd, and you will give them me; I take it kindly, yet be well-assur'd You put sharp weapons in a madman's hands. Whiles I in Ireland nourish a mighty band,