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Today's Stichomancy for Niels Bohr

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Mayor of Casterbridge by Thomas Hardy:

fallen for some reason or other, compelling them to quit the rural spot that had been their home for generations--came here, unless they chose to lie under a hedge by the wayside.

The inn called Peter's finger was the church of Mixen Lane.

It was centrally situate, as such places should be, and bore about the same social relation to the Three Mariners as the latter bore to the King's Arms. At first sight the inn was so respectable as to be puzzling. The front door was kept shut, and the step was so clean that evidently but few persons entered over its sanded surface. But at the corner of the public-house was an alley, a mere slit, dividing it


The Mayor of Casterbridge
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Time Machine by H. G. Wells:

make sure I was real. There was nothing in this at all alarming. Indeed, there was something in these pretty little people that inspired confidence--a graceful gentleness, a certain childlike ease. And besides, they looked so frail that I could fancy myself flinging the whole dozen of them about like nine-pins. But I made a sudden motion to warn them when I saw their little pink hands feeling at the Time Machine. Happily then, when it was not too late, I thought of a danger I had hitherto forgotten, and reaching over the bars of the machine I unscrewed the little levers that would set it in motion, and put these in my pocket. Then I turned again to see what I could do in the way of


The Time Machine
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Tom Sawyer, Detective by Mark Twain:

"Anything peculiar about him?--the way he acts or talks?"

"No--nothing, except he seems so scary, and keeps his doors locked night and day both, and when you knock he won't let you in till he opens the door a crack and sees who it is."

"By jimminy, it's int'resting! I'd like to get a look at him. Say--the next time you're going in there, don't you reckon you could spread the door and--"

"No, indeedy! He's always behind it. He would block that game."

Tom studied over it, and then he says:

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Lady Chatterley's Lover by D. H. Lawrence:

his power of silence and distance. She saw his smallish, sensitive, loose hand on the table. He was no simple working man, not he: he was acting! acting!

'Still!' she said, as she took a little cheese. 'It would be more natural if you spoke to us in normal English, not in vernacular.'

He looked at her, feeling her devil of a will.

'Would it?' he said in the normal English. 'Would it? Would anything that was said between you and me be quite natural, unless you said you wished me to hell before your sister ever saw me again: and unless I said something almost as unpleasant back again? Would anything else be natural?'


Lady Chatterley's Lover