| The first excerpt represents the past or something you must release, and is drawn from Collected Articles by Frederick Douglass: Jake told me the circumstances of this attempt, and how narrowly
he escaped being sent back to slavery and torture. He told me that New York
was then full of Southerners returning from the Northern watering-places;
that the colored people of New York were not to be trusted; that there were
hired men of my own color who would betray me for a few dollars;
that there were hired men ever on the lookout for fugitives;
that I must trust no man with my secret; that I must not think
of going either upon the wharves or into any colored boarding-house,
for all such places were closely watched; that he was himself unable
to help me; and, in fact, he seemed while speaking to me to fear lest
I myself might be a spy and a betrayer. Under this apprehension,
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from Running a Thousand Miles for Freedom by William and Ellen Craft: so strange, had it been one of the above lukewarm
Doctors of Divinity whom he had swallowed; for
even a whale might find such a morsel difficult of
digestion.
"I venerate the man whose heart is warm,
Whose hands are pure; whose doctrines and whose life
Coincident, exhibit lucid proof
That he is honest in the sacred cause."
"But grace abused brings forth the foulest deeds,
As richest soil the most luxuriant weeds."
I must now leave the reverend gentlemen in
Running a Thousand Miles for Freedom |
The third excerpt represents the future or something you must embrace, and is drawn from Poems by T. S. Eliot: Defunctive music under sea
Passed seaward with the passing bell
Slowly: the God Hercules
Had left him, that had loved him well.
The horses, under the axletree
Beat up the dawn from Istria
With even feet. Her shuttered barge
Burned on the water all the day.
But this or such was Bleistein's way:
A saggy bending of the knees
And elbows, with the palms turned out,
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