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Today's Stichomancy for Niels Bohr

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Muse of the Department by Honore de Balzac:

"Conversation is bounded on the south by remarks on the intrigues lying hidden under the stagnant water of provincial life, on the north by proposed marriages, on the west by jealousies, and on the east by sour remarks.

"And so," she went on, striking an attitude, "you see a woman wrinkled at nine-and-twenty, ten years before the time fixed by the rules of Doctor Bianchon, a woman whose skin is ruined at an early age, who turns as yellow as a quince when she is yellow at all--we have seen some turn green. When we have reached that point, we try to justify our normal condition; then we turn and rend the terrible passion of Paris with teeth as sharp as rat's teeth. We have Puritan women here,


The Muse of the Department
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Z. Marcas by Honore de Balzac:

rooms, we heard the even, dull sound of a sleeping man breathing.

"He is asleep," said I to Juste, noticing this fact.

"At seven o'clock!" replied the Doctor.

This was the name by which I called Juste, and he called me the Keeper of the Seals.

"A man must be wretched indeed to sleep as much as our neighbor!" cried I, jumping on to the chest of drawers with a knife in my hand, to which a corkscrew was attached.

I made a round hole at the top of the partition, about as big as a five-sou piece. I had forgotten that there would be no light in the room, and on putting my eye to the hole, I saw only darkness. At about

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from A Daughter of Eve by Honore de Balzac:

who were then waging war in advertisements and posters all over Paris, as to which could make the safest and most impenetrable locks.

This portfolio was left about in Florine's new boudoir, where Nathan did much of his work. No one is easier to deceive than a woman to whom a man is in the habit of telling everything; she has no suspicions; she thinks she sees and hears and knows all. Besides, since her return, Nathan had led the most regular of lives under her very nose. Never did she imagine that that portfolio, which she hardly glanced at as it lay there unconcealed, contained the letters of a rival, treasures of admiring love which the countess addressed, at Raoul's request, to the office of his newspaper.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Walden by Henry David Thoreau:

of thoughts and affections; and am sensible of a certain doubleness by which I can stand as remote from myself as from another. However intense my experience, I am conscious of the presence and criticism of a part of me, which, as it were, is not a part of me, but spectator, sharing no experience, but taking note of it, and that is no more I than it is you. When the play, it may be the tragedy, of life is over, the spectator goes his way. It was a kind of fiction, a work of the imagination only, so far as he was concerned. This doubleness may easily make us poor neighbors and friends sometimes. I find it wholesome to be alone the greater part of the time. To be in company, even with the best, is soon wearisome and


Walden