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Today's Stichomancy for Nikola Tesla

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Twilight Land by Howard Pyle:

he made a lucky stroke, and off flew the cock's head. Then, lo and behold! instead of a cock it was a great, hairy, black demon that lay dead on the floor.

But, though the master had conquered, he looked like one sorely sick. He was just able to stagger to a couch that stood by the wall, and there he fell and lay, without breath or motion, like one dead, and as white as wax.

As soon as Gebhart had gathered his wits together he remembered what the master had said about the other room.

The door of it was also of iron. He opened it and passed within, and there saw two great tables or blocks of polished marble. Upon

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from An Open Letter on Translating by Dr. Martin Luther:

have been educated in and have practiced their science since my childhood. I recognize how broad and deep it is. They, too, know that everything they can do, I can do. Yet they handle me like a stranger in their discipline, these incurable fellows, as if I had just arrived this morning and had never seen or heard what they know and teach. How they do so brilliantly parade around with their science, teaching me what I grew beyond twenty years ago! To all their shouting and screaming I join the harlot in singing: "I have known for seven years that horseshoe nails are iron."

So this can be the answer to your first question. Please do not give these asses any other answer to their useless braying about

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Land of Footprints by Stewart Edward White:

must be dead; but when I accidentally broke a twig, he immediately commenced to slide off into the water. Thereupon I stopped him with a bullet in the spine. The first shot had smashed a hole in his head, just behind the eye, about the size of an ordinary coffee cup. In spite of this wound, which would have been instantly fatal to any warm-blooded animal, the creature was so little affected that it actually reacted to a slight noise made at some distance from where it lay. Of course the wound would probably have been fatal in the long run.

The best spot to shoot at, indeed, is not the head but the spine immediately back of the head.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from End of the Tether by Joseph Conrad:

last. And the sea was full of craft of all sorts. There was that prau lying so still swathed in her shroud of sewn palm-leaves--she too had her indispensable man. They lived through each other, this Malay he had never seen, and this high-sterned thing of no size that seemed to be resting after a long journey. And of all the ships in sight, near and far, each was provided with a man, the man without whom the finest ship is a dead thing, a floating and purposeless log.

After his one glance at the roadstead he went on, since there was nothing to turn back for, and the time must


End of the Tether