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Today's Stichomancy for Nikola Tesla

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Woman and Labour by Olive Schreiner:

to cause friction and suffering in the interactions of the members of our societies; more especially, as the individuals composing each type are not sorted out into classes and families, but are found scattered through all classes and grades in our societies. (One of the women holding the most advanced and modern view of the relation of woman to life whom we have met was the wife of a Northamptonshire shoemaker; herself engaged in making her living by the sewing of the uppers of men's boots.) Persons bound by the closest ties of blood or social contiguity and compelled to a continual intercourse, are often those most widely dissevered in their amount of adaptation to the new conditions of life; and the amount of social friction and consequent human suffering arising from this fact is so subtle and

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Crito by Plato:

for anything, they will--to be sure they will.

'Listen, then, Socrates, to us who have brought you up. Think not of life and children first, and of justice afterwards, but of justice first, that you may be justified before the princes of the world below. For neither will you nor any that belong to you be happier or holier or juster in this life, or happier in another, if you do as Crito bids. Now you depart in innocence, a sufferer and not a doer of evil; a victim, not of the laws, but of men. But if you go forth, returning evil for evil, and injury for injury, breaking the covenants and agreements which you have made with us, and wronging those whom you ought least of all to wrong, that is to say, yourself, your friends, your country, and us, we shall be angry with you

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from War of the Worlds by H. G. Wells:

Canal, a spongy mass of dark-red vegetation.

As I crossed the bridge, the sound of "Ulla, ulla, ulla, ulla," ceased. It was, as it were, cut off. The silence came like a thunderclap.

The dusky houses about me stood faint and tall and dim; the trees towards the park were growing black. All about me the red weed clambered among the ruins, writhing to get above me in the dimness. Night, the mother of fear and mystery, was coming upon me. But while that voice sounded the solitude, the desolation, had been endurable; by virtue of it London had still seemed alive, and the sense of life


War of the Worlds
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Criminal Sociology by Enrico Ferri:

On the other hand, to recognise that the death penalty may be legitimate as an extreme and exceptional measure is not to acknowledge that it is necessary in the normal conditions of social life. Now it cannot be questioned that in these normal conditions society may defend itself otherwise than by death, as

by perpetual seclusion or transportation, the failure of which, by the escape of convicts, is too rare to be decisive against it.

The preventive and deterrent efficacy of the death penalty is very problematical when we examine it not by our own impressions as average human beings, calmly and theoretically, but with the data