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Today's Stichomancy for Noah Wyle

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Unseen World and Other Essays by John Fiske:

forgotten, it was inevitable that the Logos, as the creator of the world, should be raised to an equality or identity with God himself. In the view of the fourth evangelist, the Creator was necessarily inferior to God; in the view of later ages, the Creator could be none other than God. And so the very phrases which had most emphatically asserted the subordination of the Son were afterward interpreted as asserting his absolute divinity. To the Gnostic formula, lumen de lumine, was added the Athanasian scholium, Deum verum de Deo vero; and the Trinitarian dogma of the union of persons in a single Godhead became thus the only available logical device for preserving the purity of monotheism.


The Unseen World and Other Essays
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Some Reminiscences by Joseph Conrad:

are some of us to whom an open display of sentiment is repugnant. I would not unduly praise the virtue of restraint. It is often merely temperamental. But it is not always a sign of coldness. It may be pride. There can be nothing more humiliating than to see the shaft of one's emotion miss the mark either of laughter or tears. Nothing more humiliating! And this for the reason that should the mark be missed, should the open display of emotion fail to move, then it must perish unavoidably in disgust or contempt. No artist can be reproached for shrinking from a risk which only fools run to meet and only genius dare confront with impunity. In a task which mainly consists in laying one's


Some Reminiscences
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Rinkitink In Oz by L. Frank Baum:

speaking firmly because this promise gave him courage, and as he removed the pearl from his ear it whispered:

"The wise and fearless are sure to win success."

Restoring the White Pearl to the depths of the silken bag, Inga fastened it securely around his neck and buttoned his waist above it to hide the treasure from all prying eyes. Then he slowly climbed down from the tree and returned to the room where King Rinkitink still slept.

The goat was browsing upon the grass but looked cross and surly. When the boy said good morning as he passed,


Rinkitink In Oz
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Son of Tarzan by Edgar Rice Burroughs:

moving about. The return to the tent of Ali ben Kadin took much longer than had their swift flight to the palisade. Cautiously they crept to the slit that Korak's knife had made in the rear wall. Meriem peered within--the rear apartment was empty. She crawled through the aperture, Baynes at her heels, and then silently crossed the space to the rugs that partitioned the tent into two rooms. Parting the hangings Meriem looked into the front room. It, too, was deserted. She crossed to the door of the tent and looked out. Then she gave a little gasp of horror. Baynes at her shoulder looked past her to the sight that had startled her, and he, too, exclaimed; but his was an oath of anger.


The Son of Tarzan